Elsewhere

Yarny links for your clicking pleasure

Ok, y’all — I’ve got quite a load of lighthearted links for you today!

Best illustrated anecdote of the month

Love this cardigan-dress look

This “herringweave” stitch

– And Dianna’s Nordic delights roundup

– as well as this travelogue about Selbu, which is definitely on my bucket list now (bottom left)

– “… hand-spun 25m long hanks of pure wool from many countries and breeds of sheep are used to create a moving and contemplative piece of work …”

– New knitters might want to bookmark this glossary

Darling free baby sweater pattern (top left)

How to let out a hem

This sweater (top right)

This Farrow Dress + Stowe Bag combo

Yarn tales like this

Favorite photo from all the VKLive revelry in NYC last weekend (bottom right)

Or maybe this is my favorite

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PREVIOUSLY: Elsewhere

Gone marchin’

Forgive me, but I made a decision yesterday: Instead of spending the usual several hours putting together Elsewhere for today, I spent those hours yesterday calling congresspeople and voicing my concerns. (Here’s a helpful public spreadsheet with congressional members broken down by committee, along with contact info, for anyone interested.) Tomorrow I will be attending my first-ever march (here in Nashville), but rest assured I’ll be back on Monday with a proper Elsewhere for you.

I do have one link, though — I’m extremely honored to have an article and 3-page photo spread in the Winter issue of KnitWit, and that’s in the shop today.

Whether you’re marching or celebrating this weekend, may we all do so in peace.

New Favorites: Unexpected cables

New Favorites: Unexpected cables

The book and magazine scene has been pretty great lately, with several worthy collections having been released in just the past week or so. Of all the knitting patterns they collectively contain, two I’m stuck on involve rather unexpected use of cables:

Hague by Michele Wang is from her fantastic new Capsule collection (now in the webshop). I’m super smitten with that allover ridge texture and surprised how well the cables work in combination with it. Sadly, boatneck and drop-shoulder are two no-no’s on my frame or I’d be struggling not to knit this immediately! I might still find a way …

Eldingar by Courtney Cedarholm is from the Winter 2017 Amirisu (which we’re unfortunately already sold out of). It’s inspired by the colorwork yokes of lopi sweaters, translating that into a yoke encircled in large cabled diamonds that then zigzag down the body (although I might be inclined to skip that part and keep it to the yoke).

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PREVIOUSLY in New Favorites: Colorwork practice

Best of the Best of Pre-Fall 2017: Joseph

Best of the Best of Pre-Fall 2017: Joseph

It’s good that the Fall 2017 collections will be starting in about 10 minutes, because I’m fairly underwhelmed by the Pre-Fall ones. Not surprisingly though, Joseph is once again at the top of my list of exquisite knits (alongside incredible woven pieces with all the giant patch pockets I love). Just look at those incredible long layers up top, the exaggerated turtleneck and impeccable cardigan in the middle, and then the long rib-knit tunic and pants paired with that exceptional pink coat. Nevermind how unwearable those pants are, I want it all. But especially that army sweater-coat.

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PREVIOUSLY in Pre-Fall 2017:

Hot Tip: Bury your ends

Hot Tip: Bury your ends

I don’t weave in ends — I bury them. Among the many arguments over why seamed garments are better than seamless, or vice versa, the one that comes up possibly the least often is how useful those seams are when it comes to weaving in ends! Seamless lovers often say they hate mattress stitch or don’t want to take the time, but in my view mattress stitch is way less time and bother than trying to weave in ends invisibly on a seamless garment. Mind you, I am a devout spit-splicer, really only use splice-able yarns, and so my projects have as few ends as possible. But every knitted item has at least two ends, and a garment will have several more, by the time you join new balls at underarms, pick up stitches at necklines, etc. (And this gossamer striped sweater would never have happened if I hadn’t known I’d have basted seams to bury all those ends in.) If you’ve got seams to work with, and always join new yarn at an edge (where a seam will be), all you have to do after the seaming is done is run your tapestry needle up through the seam allowance, then back down again, and voilà! Fast, secure and simple.

See also: Q for You: How do you weave in your ends?

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PREVIOUSLY in Hot Tips: Postpone the sleeves

Idea Log: Cowichan-style cardigan, take two

Idea Log: Cowichan-style cardigan, take two

Speaking of colorwork and my desire to do it more regularly, there’s a sweater idea I want to put a(nother) pin in for 2017 — a cardigan I’m pretty much never not thinking about. It’s partially the J.Crew sweater from my last Idea Log of 2015, which has been taped up next to my closet door ever since, and part Andrea’s vest from the Cowichan KAL, and part this sweater seen on Nashville leather-goods maker Annie Williams (photo by my friend Melody who shares space with Annie). Over time they’ve mashed up in my head into the sketch above. It was one of my many concept sketches for the Top-Down Knitalong, but it seemed wrong to do another Cowichan-inspired sweater for that. (And I’m so happy with the direction I went!) But like I said, this one is always on my mind. Hopefully some version of it will be on my needles before the year is out.

(Fashionary sketch templates from Fringe Supply Co.)

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PREVIOUSLY in Idea Log: Three easy (Kayne-style) pieces

St. Brendan, ripping for joy

St. Brendan, ripping for joy

There’s a thing that happens to me on those rare occasions that A) I decide to knit a pattern more or less as-is and B) it happens to be a fast knit: I forgo thinking. St. Brendan is an extreme example — I believe it’s literally the first time I have ever knitted a sweater exactly like the sample. Same yarn, same colors, everything. I was excited about the prospect of not thinking, actually, just racing through the knitting and throwing on the sweater! The only thing I took a second to consider was that I’m between sizes, and I made a simple snap decision about that.

I always make my sweaters slightly wider at the hem than the chest because I am wider at the hips (38″) than the boobs (34.5″). Since this one involves colorwork, the stitch counts can’t really be fudged the way I normally would — they have to be a precise multiple for the charts to work out — so I blithely cast on the size 45 body and planned to decrease down to the size 38 stitch counts by the time I got to the join round. And then I tried to squelch the nag in the back of my head who kept muttering “what if the 38 is too small?” I am a fan of a 38″ sweater, I would respond quite firmly. “Yes, but for this sweater? You’ll want more ease.”

To my credit, I did allow that I might have a yoke depth problem, which is why I postponed the sleeves, right? (Good call.) But between the pattern’s fairly shallow yoke dimension at that size and my yoke being even shallower, due to my Compact Row Gauge Curse, it just didn’t fit me right at all. I needed to deepen the yoke and widen both the upper sleeve and the chest dimension for it to fit just the way I like. (NOTE: None of this is in any way a fault of the pattern — these are my personal peccadillos.)

Of all the ways to construct a sweater, bottom-up-seamless is my least favorite. I just really hate knitting that first inch or two after the join round — all that stress on the underarms (and the knitter). So it’s the method I’ve done the least of, and have the least experience tampering with. Had I taken a minute to read into the pattern and think about what was happening, I would have seen that I could easily add stitches and rows where I needed them before getting to the colorwork, but I did not take said minute. See paragraph 1, above.

So what then? When I was writing that Hot Tip about postponing the sleeves, I was like Karen, why didn’t you just start at the bottom of the yoke in this case, if you were worried about the yoke depth and know you don’t like bottom-up-seamless anyway?? And again, that nag was correct — I should have. So now I’ve made up for it. With tremendous joy and liberation and anticipation of a sweater that fits precisely the way I want it to, I ripped out everything but the yoke, which is now back on the needles as if it were a top-down yoke. (All I did was snip a strand at the armhole and unravel that row, then pulled out another row or two on the yoke itself before putting it back on my needles. This is animated for your enjoyment below.) I’ve reallocated the sleeve and body stitches, slightly shifted the motif placement, and recalculated the shaping and yoke depth to match my own preferences, like I do with every other sweater I knit! If you saw the details, you’d feel confirmed in your suspicion that I am a crazy person. I am literally moving things around by a matter of a couple of stitches here and there, but I know what a difference it will make to me in the end. With a sweater that knits up this lightning-quick, why not get it right?

Here’s the other thing: I’ve kept the lower body intact for the time being in case I want to graft it back on, but I am feeling like I’ll probably make it plain black from the yoke down. I’ve been saying for over a year that I want a black sweater with a colorwork yoke (here, here and here), so it seems dumb to make something not quite that, no matter how perfectly gorgeous it may be. But I’m deferring a decision on that point for the moment.

Refresh the page if needed to see this in action:

St. Brendan, ripping for joy

Happy weekend, everybody! We’ll be at Haus of Yarn tomorrow with our mini-Fringe Supply Co, along with Plucky Knitter! If you’re in the Nashville area, I hope we’ll see you there. And if not, there’s a new Amirisu in store this morning and lots of other favorites back in stock — go take a wander.

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PREVIOUSLY in St. Brendan: Hot Tip: Postpone the sleeves