Queue Check — October 2016

Queue Check — October 2016

The only thing that’s changed since my last Queue Check is there are a whole lot more stripes to my striped sweater than there were a month ago. I’ve got just a few inches of body left, then neckband and sleeves. I haven’t touched my Channel cardigan in the meantime, so it’s still just the one part-sleeve, but it won’t be long before I’m wearing the stripes and knitting the Channel. And I continue to believe these will be the two best sweaters I’ve ever owned, handmade or otherwise.

I made a point on Instagram the other day about listening to the knits I’m able to neglect. That’s not this cardigan — it is patiently waiting and I can hardly stand not knitting it — but the grey sweater I started with my Sawkill Farm last Nov does fall into this category, compounded by my trio of gorgeous grey yarns for which I need to come up with just the right long-term uses. So between now and next check, while I knit away on Channel, that’s what I’ll be pondering.

YARNS: top is Pebble held double (given to me by Shibui, part of the Top-Down Knitalong); bottom is Clever Camel


PREVIOUSLY in Queue Check: September 2016

Top-Down Knitalong FO No. 1: Jess Schreibstein

Top-Down Knitalong FO No. 1: Jess Schreibstein

Hey, guess what — there’s a member of the panel for the Top-Down Knitalong who finished her sweater! Brandi is either also there or on the brink, and Jen and I are still plugging away at it, but today I am pleased to show you the finished object of the lovely Jess Schreibstein. In case there’s anyone who doesn’t know her, Jess writes the Swatch of the Month column for Fringe Association, charms Instagram as @thekitchenwitch and just launched her new website. So let’s hear about this sweater—

. . .

You’re the only panelist who will have completed the same sweater you started — yours is true to your original plan. Be honest: Feeling at all smug about that? ;)

You know, I didn’t even realize that I was the first person on the panel to finish her sweater until I wore it the first time. Then it just dawned on me – like, WOW, how did that even happen?! But all along, my primary goal was to stay dedicated to getting the sweater exactly how I wanted it, and I took it as a given that that process would take time and trial and error. But once I made it through yoke and neck shaping, the rest of the sweater came together easily, and I set myself a deadline of finishing by the Sheep & Wool Festival in Rhinebeck. Which I did, but barely, in true Rhinebeck fashion. The sweater finished drying the morning I left!

You wound up admirably spending a lot of time and revision on your neck, in an effort to get it just how you wanted it. To recap, you cast on your neck stitches and worked the funnel neck in the round, and initially weren’t going to do any neck shaping. But then you decided to add short rows, which took a few tries. Can you talk about why you didn’t want to shape the neck the traditional way — I know some people were curious why you chose the route you did — and how you feel about the short rows in the end? Do you feel you solved all the problems you were trying to solve?

You’re right – instead of casting on stitches and working the neck shaping back and forth before joining in the round, per the method you describe, I worked the neck in the round and then used short rows to get the neck shaping I was after. To get a turtleneck or mock neck with the traditional method, I would have to pick up the cast-on neck stitches, which wouldn’t really be an issue except that the simple lines of knit and purl are so important to getting my particular design to look right. I wanted those lines from the neck to move seamlessly into the yoke and body, without any funky jogs or noticeable seams around the neck.

I ran into setbacks on the short rows because I really just hadn’t had to use them much before, so didn’t know about some pitfalls in particular methods that make them unattractively visible. The knit/purl rib can also be less forgiving for short rows. On the recommendation of my friend Olga Buraya-Kefelian, I used the German Short Rows method, and spaced the turns 2 stitches apart from each other to lend a gradual grade to the shaping. It definitely worked, and I’m pleased with the result!

It seems like once you got over that hump, it was smooth sailing for you. Were there any other setbacks or revisions along the way?

The biggest revision was on the sleeves. I originally intended to knit them flat, as you’ve recommended for multiple reasons, but found after working half a sleeve that the seam would look sloppy with the decreases and the K1P1 rib. Instead, I worked them in the round, working in a knit seam down the center of the sleeve with a purl stitch on either side – which were later seamed up with a basting stitch. I was worried that a basting stitch on either side of this center “knit” seam, effectively creating two seams on the inside of the sleeve, might look bulky or feel stiff, but after blocking they melted into the sleeve and they look great.

You chose YOTH’s Father in Olive for your sweater (which they generously provided, I should note — thank you, YOTH!) How do you feel about your yarn selection for this sweater — are you into the Rambouillet, happy with how it’s performing this particular job? Anything you might have done differently there?

I loved working with YOTH’s Father and am so grateful to them for providing the yarn! The color is so rich and the stitch definition is stunning. Thankfully, Veronika at YOTH reached out to me before I started knitting to let me know that she recommends alternating skeins, since there is slight color variation from skein to skein. This definitely helped blend any slight light and dark differences in the yarn.

How did you wind up treating the lower edges — the cuffs and hem? And did you include other basting stitches anywhere or knit anything flat?

The edges of the neck, sleeves and hem were all worked in a size or two smaller needle than the body of the sweater to create some subtle shaping and a snug fit on the wrists. I bound off all edges with a tubular bind off, which looks great with the rib. I also added a few rows of decreases on each side of the hem of the body for the same reason – some subtle shaping and a snug fit. No parts of the sweater were knit flat, but I added basting stitches on either side of the wide raglans and to the inside of the sleeves, as I mentioned. They added so much great structure to the sweater and look great.

This was your first time knitting a sweater top-down — and apart from the neck shaping, you mostly followed the process described in my tutorial, right? What do you feel you got out of the process, if anything, and would you do it again?

That’s right, no other major changes from your outlined process besides the neck shaping. I have to say that I learn a lot each time I knit a new sweater, but this one was different. Thanks to this process, I now have a much deeper understanding of sweater construction than when I started. But even more importantly, I was part of a larger community of knitters trying, failing, and trying again to design their own sweaters, which helped me stay positive and focused on the ultimate goal – learning how to make a killer sweater for myself! I definitely plan to use this method again, specifically for some basic cream and black cardigans I’d love to have in my closet.

Thank you, Karen, for organizing and hosting this KAL and inspiring so many of us to create our own improvised sweaters! So grateful to you.


(Where’s my blush face emoji?) Thanks so much for playing, Jess!

I’ll have the rest of the panelists’ sweaters to show you as they/we finish up! Meanwhile, there’s still action on the #fringeandfriendsKAL2016 hashtag and the Improv top-down tutorial is here (or on Ravelry) for you anytime.


PREVIOUSLY in Top-Down Knitalong: WIPs of the Week No.7

My Slotober project for 2016

My Slotober project for 2016

I’m sure there are a lot of you dying to point out to me that I have yet to sew anything out of the fabric that Allison custom-wove for me last year. Trust me: I KNOW! (By the way, have you seen what Allison is up to these days?) I’m secretly hoping to do something about that this month, but it’s not my official plan and I’m trying to be realistic. My official plan is to focus on making things wearable again. Part of why I keep urging everyone to read NO ONE WANTS YOUR OLD CLOTHES is that I’m increasingly troubled by every post and plan on the interwebs about how to streamline your wardrobe — be it in the context of a capsule wardrobe or a slow-fashion wardrobe (which are not the same thing) — starting with, “first, clean out your closet.” I’m guilty of promoting this — and a major closet clean-out in 2014 happens to have played into my enlightenment about what I really wanted in my closet — but as that article so adeptly covers in one single read, it’s not good.

Trash is one of my lifelong fascinations — I read about and think about waste management more than the average human — but for a long time I was among those who believed that giving clothes to Goodwill, etc., meant it would find a new home, not a spot in the dump or on a cargo ship or any number of other troublesome fates. I’ve come to the realization that a truly conscientious wardrobe starts with owning what you own — taking responsibility for it. So I’m upping my commitment on that front.

There are ways to re-home or repurpose things, and we’ll talk more about this during Long-Worn week next week, but for my Slotober project this year, my goal is to get four unworn garments back to wearability:

1) Bob’s rollneck. Bob loves this sweater and would love to wear it, but the neck is just too big, and the stockinette roll might not have been the best approach with this particular yarn. So my first job will be to pull out the neck and redo it, picking up fewer stitches this time to cinch up the hole a bit, and either try again with the stockinette but less of it, or go straight to replacing it with a regular ribbed foldover crewneck. I’ll leave that up to Bob.

2) Linen chambray top. I bought this popover at Madewell about three years ago and loved the fabric and the fit except, as usual, it was too small for me in the shoulders. So I cut off the sleeves and wore it — a ton — under things. The linen got paper-thin pretty quickly, and there are significant holes at the corners of the pockets. I was planning to harvest the buttons and put it in Bob’s rag bin, but I put it on the other day and I still really love and could use it! So I’m mending those holes and keeping it alive as long as it’s willing. I only wish I still had the sleeves to take fabric from.

3) Amanda. I know, I’m as pained to see this here as you are, but I’ve confessed before that I’ve always been unhappy about how large I left the neck, and I just don’t wear it. If there’s anything I learned from you all during the #fringeandfriendsKAL2016 (and last year’s SFO, and everyone’s general willingness to rip and fix), it’s that it really is pointless to have a sweater in your closet you don’t wear, so it’s time for me to do something about this. I may have to face the fact that I chose the wrong yarn and this will never hang on me the way I want it to, even with a modified neck. But I’m not conceding without first attempting to fix the neck. Like Bob’s, my first try will be simply to pull it out, pick up fewer stitches and see what effect that has. Then I’ll made any further decisions based on those results — possibly major neck surgery or major ripping. <hiding eyes emoji>

4) My favorite jeans. These are another regrettable fast-fashion purchase I’m trying to do right by. They are, in fact, my favorite jeans to wear — the most easygoing — and I only own three pair of blue jeans to begin with. There’s these, my other already holey/mended jeans (much older than these and still in better shape) and a newer pair of J.Crew jeans from their Made in L.A. line, Point Sur, which are my dress-up jeans, since the other two both have holes now. (Plus my new natural-denim I+W’s.) These are only a few years old but have gotten so threadbare all over that they shred somewhere every time I move — they tear like a Kleenex — so they’re not currently being worn at all. Because I love the fit and don’t want to buy more jeans — and because I love the idea of it — I’m thinking of doing an allover saskiko treatment, so they’ll practically be hand-quilted. It’s a longer-term project, if it even works, but I’m going to get it started and see!

I’d like to say I’ll tackle one of these per week, but this is a nutty month for me, so I’ll tackle them as I’m able!

If you have set out a Slotober project for yourself, I’d love to hear about it! And I hope you’ve read the comments on the master plan and the kickoff post, as well as on the #slowfashionoctober — such good stuff already. There aren’t enough hours in the day for me to respond to every comment, but I am reading them all, appreciate them so much, and am also attempting to read every post to the hashtag! You guys are endlessly amazing.


PREVIOUSLY in Slow Fashion October 2016: Week 1, Introductions

Queue Check — September 2016

Queue Check — September 2016

Since last month’s Queue Check, I’ve finished the black Linen Quill cardigan, sidelined the purple tutorial sweater until winter weather warrants its completion, and decided to scrap my Pebble cable sweater in favor of stripes! In the time between putting the cable sweater on hold and eventually deciding what to do instead, I worked on the first sleeve of my Channel Cardigan (top, in Clever Camel*), which is just absolute heaven. The yarn is heaven in the palm of your hand; the fabric is magical to watch develop; the knitting looks as if it’s already been blocked, it is so perfect and gorgeous; the stitch pattern was easily memorized long ago, so it’s easy to pick up and put down at any time. I mean, every stitch of it is paradise — to the point that I briefly considered starting over in the lighter shade of camel, but Jen talked me out of it last weekend. As much as I want to be wearing it, I could happily knit this sweater forever.

Which is part of how I came to realize I had a problem with the ivory cable sweater. Every time I got a few minutes to knit at night, I reached for the Channel. Obviously it’s incredibly hard to compete with, right?, as end-o-day knitting experiences go. But I felt like my knitalong sweater should be something I wanted badly enough that it did compete for my attention. Well, I’m happy to report that this striped Improv sweater (bottom, in Pebble) is every bit as satisfying. This yarn, in stockinette? How many is too many times to use the word paradise in one post? Watching the stripes develop is just as fun as the cables. It’s going faster because of the difference in gauge. And I am SO HOT TO WEAR IT. I cannot wait to have this one, and am definitely reaching for it over Channel, so I’m feeling very very good about that decision to start over. Even if it did put me in jeopardy of being the last panelist to finish!

As much as I’m trying to not to think beyond these two sweaters right now — since it will likely be Thanksgiving before Channel is done — I’ve had an advance look at a collection coming out very soon that makes my brain hurt it’s so good. There is one cardigan in particular that I haven’t been able to stop thinking about for weeks, since I saw a snapshot from the photoshoot. In the final images, I can see it’s not the same shape I guessed it was from that glimpse, but it will be when I make it! I’ll be able to tell you more about it soon. But if my unwavering fixation is any evidence, that would seem to be next in my queue.

*By the way, Clever Camel is back in stock and Jones and Vandermeer have renewed the discount offer. Use code FRINGE at checkout on their site for 10% off Clever Camel through October 15, 2016.


PREVIOUSLY in Queue Check: August 2016

KTFO-2016.19 : Black linen-wool cardigan of my dreams

FO : The linen-wool cardigan of my dreams

This is a plain-as-can-be Improv top-down raglan, knitted with two strands of Purl Soho’s Linen Quill (50% fine highland wool, 35% alpaca, and 15% linen), and it is pretty much the simple black cardigan of my dreams. Purl had sent me five skeins of this yarn, unbidden, and I was determined to get the whole cardigan out of it. There is a LOT of yardage on those skeins! I was holding it double and made it nearly from the cast-on to the waistband before I needed to join a new pair of strands. I completed the sweater with 26 yards left of the second pair of skeins and only had to break into the fifth skein to knit the button band. So it turns out I could have made it a bit longer and still had plenty of yarn! But I was modeling this after a beloved blue cashmere J.Crew sweater, which hit just a couple of inches below my natural waist like this, and I wore that thing to bits. So I have no doubt about how much wear I’ll get out of this. And the fabric is utterly amazing — I wish you could pet this sweater through your screen.

It took me months to knit this one only because I kept setting it aside for other projects, although I did feel slightly apathetic about it along the way. I had a pervasive dread that I’d made the back neck too wide, which to me is the death blow of a sweater. It’s all about the back neck width, in my view. Once I blocked it and put it on, I was even more concerned. I did basically the same thing as I had with my black lopi pullover — starting with a higher percentage of sleeve stitches and shaping the raglans. But the result of all those sleeve stitches was that they draped over my shoulders and left the back neck sitting perilously low. All I could do at that point was hope it all worked out when I picked up stitches for the band.

This sweater is the first where I was constantly thinking of sewing tricks and wishing for knitting equivalents. The fabric is quite drapey by my standards (thanks to the alpaca content) and I also didn’t knit it as tightly as I normally knit stockinette. I actually felt scared to put it on before I did the finishing — like I could feel the neckline stretching, and wished I could stay-stitch it. I was SO GLAD I had done basting stitches in the raglans, and amazed at how different it felt putting it on before and after seaming those up. And then I did treat the neckband a little like a bias strip, “pulling gently” around the curve of the back neck (by which I mean picking up 2 out of 3 sts across the back instead of 1:1) to slightly cinch it up. And it worked like magic! The neck sits beautifully. For the band, I wound up doing picked-up garter stitch, mostly because I’d never done garter for a button band before, and I adore it. The only challenge was the bind-off: I wanted it to be firm enough to prevent the band from stretching any, but not so tight that it pulled the sweater up in the front. I think I got it a hair too tight, but will wear it awhile and see how it does. Redoing that bind-off wound be the easiest tweak in the world.

I’m including all of my numbers below for anyone who wants to do this top-down Improv-style themselves, but if you prefer a proper pattern for a super-basic cardigan like this, see Carrie Hoge’s Uniform. I don’t know how all of my measurements and shaping compare to her pattern, but they’re obviously very similar sweaters!

Pattern: Improv
Yarn: Linen Quill from Purl Soho
Cost: no pattern + $10 horn buttons from Fringe Supply Co. + comlimentary yarn = $10
(yarn would have been about $65 had I paid for it, for total cost of $75)

[favorite it on Ravelry]

FO : The linen-wool cardigan of my dreams


4.5 sts and 6 rows = 1 inch (measured over 4″ = 18/24) knitted on US8


42″ chest = 189 sts
14″ upper arm circumference = 64 sts (more like 12″ after seaming and blocking)
7″ cuff circumference
20″ total length
9″ yoke/armhole depth (54 rows)
11″ body length (2″ hem ribbing)
17″ sleeve length (3″ cuff ribbing)


— Co 83 sts divided thusly: 1 | 3 | 20 | 3 | 29 | 3 | 20 | 3 | 1 — worked center raglan st as basting stitch

— Planned for 14 sts cast on at each underarm, and divided the raglan stitches evenly between sections when separating sleeves from body

— Worked raglan increases as kfb on either side of the raglan stitches, varying increases roughly same as black lopi raglan

— Increased at front neck every 4th row until front sts added up to back sts minus about 1.5″ to account for width of button band — pretty sure it worked out that my last neck increase row was the same as my sleeve/body separation row

— Worked center stitch at each side as a basting stitch

— BO/CO sts for one inset pocket at 6.5″ from separation row (4.5″ before end of body)

— When body was complete, picked up along upper pocket edge on US5 needles and worked a few rows in garter stitch for pocket edging, seamed to adjacent sts from body along both sides; put live sts for pocket lining back on needle and worked in stockinette for 2.5″ (bottom of pocket lines up with first row of waist ribbing); whipstitched to reverse of sweater body after blocking

Worked sleeves flat, decreasing on 20th row then every 8th row 8 times for 47 sts; knit till 15.75″; switched to US6 and decreased evenly to 42 sts while working first row of cuff ribbing

— All ribbing is k3/p2

— Blocked finished sweater and picked up sts for button band on US6: 42 sts along fronts (2/3), 32 sts along slopes, 15 sts along sleeve tops (2/3), 20 sts along back neck (2/3); worked in garter stitch for 1/5″ with double-YO buttonholes on middle row; BO from WS on US8 needles


PREVIOUSLY in 2016 FOs: 3 Lakesides + 2 Fens = 1 new wardrobe

I’m joining the start-over club!

I'm joining the start-over club!

It’s funny what a photo can show you. When I took the pic for last week’s blog post of my yoke laying flat, it was to accompany my paragraph about how I was chugging along exactly as planned. But what I noticed as I was posting it was (despite all my planning about how to get the stitch pattern to align correctly at the front neck) I had completely neglected to worry about how the stitch pattern aligned at the raglan seams. As a person who struggles with perfectionist tendencies, it’s funny that I didn’t notice or think to worry about it sooner, and it’s impossible to ignore now that I’ve seen it. So all last week I struggled with it. You’ve all made an incredible impression on me — all of the fearlessness and determination and good-natured ripping that’s been going on in the #fringeandfriendsKAL2016 — and so there’s no way I was going to leave it. I didn’t even mind the idea of ripping back and restarting, in principle, but what was bothering me all last week as I thought about it was that I didn’t want to start this sweater over.

For me to knit an ivory cable sweater that isn’t the Aran sweater I’ve been talking about for the last five years is just silly. (I’ve already knitted a cardigan instead of that longed-for pullover.) And I also don’t think it’s the very best use of the Pebble, which is too good to waste on the wrong stitch for it. But with Slow Fashion October upon us, I’m more mindful than ever about not knitting a sweater just to knit it, or because it might be a cute sweater, or because there’s a knitalong going on. I’m determined to only to make garments that both A) I desperately want to exist an B) will have a distinct impact on my overall wardrobe. This ivory cable sweater was meeting neither of those criteria. So I listened to my apathy and decided to scrap it — and it truly felt like a #rippingforjoy decision, as Felicia calls it. The question was: What to do instead?

I spent several days pondering it, going back to my original thought of a light-colored, lightweight, lightly textured pullover, looking through the blog and Pinterest and stitch dictionaries seeking inspiration for what to do with this ivory yarn, and coming up empty. I kept finding myself wanting to incorporate a second color — a pinstripe? Mosaic stitch pattern? Stranding of some kind? Saturday night I found myself pawing through my stash bin, and my hand kept going to the two skeins of black Pebble in there. Karen, focus! Ivory Pebble, not black. Frustrated, I literally laid down on the floor of my little workroom, stared at the blank ceiling, and asked myself what my closet was really missing. Again my mind went to that black yarn and the idea of stripes. STRIPES! Not just any stripes — black and ivory awning stripes, à la Debbie Harry. I hopped up and pulled up the Fall ’16 Mood board I’d recently made to look for that photo I’ve loved for ages, and found it and a Jenni Kayne striped tee sharing space on the inspiration board I’d been neglecting to consult. The answer was right there the whole time.

And I have to tell you, the instant I settled on it, I could not wind that yarn and cast on fast enough. (I even already had a swatch!) The yarn is so happy now — the fabric is amazing! — and this is a sweater I cannot wait to be wearing.


Speaking of things photos show us, Jen also made a decision prompted by her photo for last week’s post. Fisherman’s rib in-the-round is sort of like garter stitch — it leaves a mark where you switch from knitting on one round to purling on the next. She hadn’t noticed it was causing two of the ribs to sit awkwardly close together until she took that pic of Jon wearing it. So after some discussion and deliberation and swatching, she’s settled on “half-brioche” which is a version of fisherman’s rib that includes a resting row, which should obviate the issue. I love her new swatch even more than what she had going — and the hope is it will also eat less yarn, be less onerous knitting, and lead to a less heavy garment. So we’re both starting over!


PREVIOUSLY in Top-Down Knitalong: Panelist check-in

3 Lakesides + 2 Fens = 1 new wardrobe [2016 FOs No.14-18]

3 Lakesides + 2 Fens = 1 new wardrobe

If you’re thinking it’s late for me to be getting serious about summer clothes, I would just like to let you know it’s approaching 7pm as I’m typing this and the heat index is still 100°. Summer here has decided to get much worse before it gets better. And besides, I’ve realized these are great summer-into-fall pieces! They’re two of the five items from my master summer sewing plan, plus clones thereof: 3 modified Lakeside Pajamas camisole tops and 2 Fen tops. And between them, I feel like I have a whole new wardrobe!

I sewed the first of the camisoles — the light indigo one — on the last Saturday of July, and for the next week all I could think about was making a whole pile of them. One in every fabric on my shelf! Not only are they quick and simple and fun to make, but it dawned on me how great they’ll be hanging out from under all my sweaters this winter. It was a one-week addiction, seriously. I would find myself, late at night before heading for bed, bent over my worktable cutting out another one. I started calling them “my bonbons.” It was true love. By the end of the week there were three, and I decided that might be enough for the moment.

Regarding my major modification on this, I replaced the crescent criss-cross pajama back (which is darling) with a regular back. Jen mentioned to me that, on that pattern piece, the grainline marking is at the center back, so I used that as the fold line and fudged the bottom and side lines based on the front piece (with the dart folded closed). Thankfully it occurred to me that most of the width of this top is in that swingy back — if I were making it as per the original pattern, I’d probably make a 6. But with my mod removing that back panel and its swinginess, I started from the size 10 in tracing/making my pattern pieces. And it worked out perfectly.

The other thing I did is to vary the side and hem treatment on each one. Indigo has a split hem and slightly lower back. Ikat has a longer, curved hem which I just freehanded and wish I had traced to repeat! And greenie has a plain hem because I was sewing in public and forgot to leave the split at the sides. And the fabric is too fussy for ripping and redoing anything. For ikat and greenie, I also cut the back with the pattern piece an inch or two from the fold line, adding inches of width to the back, which I then gathered back down to size. I completely adore all three of them.

. . . . .

Then last weekend I wanted to make the intended blue-striped Fen but felt really unsure about the size and fit, given the shape of this pattern versus my shoulders. So I cut a straight 8 out of a hunk of natural linen I had left over from my dress. Now, the thing about my sewing a Fen (or two) is it was me having a whole big discussion with myself about how it’s ok for there to be some clothes that only work in summer — that aren’t suitable for layering over or under, due to their width and length — and that it’s a good thing. Not wearing the same clothes all year means having some variety to look forward to! But it turns out I love it layered over the Lakesides!  The 8 is really cute on me but pulls a little across the shoulders. So I went up to a 12 for the blue stripe, and also modified the hemline — I lowered the front and raised the back so the difference between them is not quite so severe. I love them both, but I think the 10 is probably the ideal size for me. And it will be no hardship to make another.

The only other mod I made on the Fens is the neck. I freehanded a round neck and then finished it with bias instead of the prescribed neckband. I love the band from Fen (and have used it repeatedly on other garments since first trying it) but felt like if I was going to do it here, I’d want to give it the full double-needle treatment, which I wasn’t in the mood for on the linen one! When it came to the blue one, I didn’t want to use any of my remaining yardage cutting bands on the bias, so I used a strip of bias left from my striped sleeveless top and turned it to the inside, so it’s a tiny bit of hidden contrast.

Fen has proven to be the perfect shape for wearing with the Seneca skirt, so I’m more eager than ever to make the black ikat version of that — along with the rest of my summer list.

3 Lakesides + 2 Fens = 1 new wardrobe

Pattern: Lakeside Pajamas by Grainline Studio (used less than 1 yard fabric)

1. Indigo
Fabric: Hand-dyed linen-hemp given to me by a friend
Cost: $18 pattern + gift fabric = $18

2. Ikat
Fabric: Black and white ikat purchased from Fancy Tiger Crafts for $13.50/yard
Cost: reuse pattern + $13.50 fabric = $13.50

3. Greenie
Fabric: “Seedlings” India-loomed cotton by my friend Anna Maria Horner, purchased at Craft South for $14/yard
Cost: reuse pattern + $14 fabric = $14

Pattern: Fen by Fancy Tiger Crafts (used approx 1.5 yards fabric)

1. Linen
Fabric: Bought half-price last year at JoAnn, I’m guessing about $6/yard
Cost: reuse pattern + $9 fabric = $9

2. Blue stripe
Fabric: Unknown Japanese cotton remnant bought for $5/yard
Cost: reuse pattern + $7.50 fabric = $7.50

So that’s a grand total of $62 these five tops cost me! (Including one new pattern I’ll get lots more use out of.) The natural denim jeans are Willies from Nashville’s Imogene+Willie (made in LA from Japanese denim), bought on clearance. The Salma sandals were the deal of the century from Jane Sews. Feeling pretty good about all of this!


PREVIOUSLY in 2016 FOs: Adventure Tank and Seneca Skirt