Summer ’17 wardrobe planning, part 3: The make list

Summer ’17 wardrobe planning, part 3: The additions

I’ve been working from my sister’s house in Florida for the past week — hanging with her and the kids while our husbands are on a fishing trip — and have spent all kinds of time working on this whole Summer ’17 Wardrobe series. The other day, right in the middle of it all (literally Fashionary panels strewn all about her house), we went out to lunch then to her favorite consignment shop and then to this little boutique nearby that is stocked almost entirely with very plain Flax Designs linen tanks, pants and dresses in nothing but ivory, black, natural, grey and an ivory/grey stripe. (The shop’s minimalist selection looks nothing like the website! So funny.) I had been in the shop before with her and knew of this tantalizingly simple solution to my dress problem, but all I knew about the clothes was what the tag said: made in Lithuania. I know that there’s a long tradition of linen production in Lithuania (that’s where pretty much all of the Fog Linen line comes from) and had been wondering if there was any chance Flax was a company I could feel good about buying from. There is literally no company information whatsoever on their website — no About page of any kind — so we did a bit of Googling on our way there and found this video a stockist had posted about them. It’s still not much to go on, but there’s an emphasis on lead-free dyes and the sewing is done in small woman-owned factories, and I obviously feel good about linen on all the levels. So it’s a somewhat smallened leap of faith, but combined with the fact that I knew how much love and wear they would get, I decided to buy two dresses. (And follow up with the company to see how much more I can find out, for future reference.) At the second-hand store, I found a full, grey, cotton-linen skirt much like I’ve been wanting, for 12 bucks!

So in a matter of minutes, my entire summer wardrobe situation changed and I had to come back and rework all of the posts! Yesterday was going to be about how I really don’t have the dresses I’d like to be relying on, and no skirt like I wanted. Today was about those items being top priority … but that all changed. And took a lot of pressure off my to-sew list, which was problematically long for someone who hasn’t managed to sew a single thing since last August. Here’s the current situation:

ROW 1 / WIPs: Sloper and Summer cardigan are both currently in progress. I also keep imagining an oversize, crewneck, cotton Sloper for wearing alone now and layering later, but we’ll see if/when that happens.

ROW 2: My dream in life is to be wearing my favorite outfit — jeans and a perfectly fitting grey t-shirt — and have made them both. I’m making the jeans in September (more on that later) and have been planning to make the tee sooner, but this is a long list, Everlane has a tee that looks pretty perfect (made in LA), and I have a store credit. So this one is looking like a purchase in the short term.

ROW 3: What I’m really feeling the lack of most is white tops, and these are both extremely quick and simple. On the left is a mod of the OOP Cynthia Rowley pattern I mentioned yesterday, which I’ll be making in both white linen and black linen. On the right is another version of my little self-drafted shell, this time in crisp white cotton and probably with some gathers at the neck. These are now the top priority to-do’s.

ROW 4: I think Liesl Gibson’s new Soho Skirt, on the left, might be the full skirt pattern I’ve been wanting, and I’m planning to make the first one in black linen, to wear with everything. Now that I have the thrifted grey skirt of similar fullness, though, I’m going to wear it for a minute and see if it suits me as well — and plays as nicely with my other clothes — as I think it will. In the middle is the Hemlock mod I made last year (and shrank and re-homed) which I want to make again in heather grey. I have some remnant bits of a wool knit that I’d love to use — if there’s enough. If not, I’ll either make it or Linden from regular sweatshirt jersey. This is an absolute must by Fall, but would be really useful at work if I can get it done for summer. On the right is the striped version of the Adventure Tank (view B) that I’ve been plotting since making the black one, and was in my plan for last summer, but never got done. I want it very badly, and have the hemp jersey already, but it’s non-urgent. When I get around to cutting it out, I’ll likely also make a heather grey version.

So that’s 6-7 sewing projects right there, most of them extremely quick. And all of them fold seamlessly into fall.

HOWEVER: First, there’s mending and refashioning to do to get a few of the inventory items to wearable status:
– shorten the black slip dress and add pockets
– mend the light jeans
– mend the camo pants
– dye the ivory I+W tee
– lengthen the black cardigan, which hasn’t been mentioned for summer yet but I was hoping would be useful!

And then there’s the little matter of the Fen (hybrid) dress that’s currently in my Summer of Basics plan. (June 1, y’all! Are you excited?) I still very much want this dress, but it will no longer be black linen, so I’m mulling alternate fabrics and maybe even a more fall-ish fabric, and making it the last of the three projects I start for SoB rather than the first.

With yesterday’s 34 Haves and WIPs, the above would bring my summer-edit total to 40 garments, which I have no doubt I can combine into an entire summer’s worth of work and weekend outfits, which I’m eager to do! I’m sorry to leave you on the edges of your seats over the weekend ;) but being in Florida and lacking some key garment photos, I’m going to do that as soon as I’m reunited with my closet. So I’ll have that to share sometime next week.

I hope you have an amazing and fruitful weekend—

(Fashionary sketch templates via Fringe Supply Co.)

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PREVIOUSLY in Summer 2017 Wardrobe: Closet inventory

My Sloper mods: Longer linen V-neck

My Sloper mods: Longer linen V-neck

If you’ve read through the Sloper pattern and notes and the posts about resizing and reshaping it (congratulations! phew), you’ll see that what I’ve charted above, for my #sloperKAL sweater, is a combination of all of that. Knitting with two strands of Kestrel* on US13 needles, my gauge is 2.75 sts/inch instead of 2.25, plus I want this one to be more like 40″ circumference at the chest, so for both of those reasons I’ll need a few more stitches than the pattern calls for. (Here’s my swatch.)

My row gauge is actually more like 4 sts/inch (based on my blocked swatch) than the pattern’s 3.75, but I know from my striped tank that this Kestrel fabric will grow as I’m wearing it. So for my calculations, I’m sticking with the pattern’s 3.75. Which means I only have to recalculate the stitches (widths) and not the rows (depths).

20″ x 2.75 sts per inch = 54 sts

Technically that’s 55, but I’m rounding down to 54 stitches each, front and back, because I want an even number of stitches. I also want this version to be A-line, more like 42″ at the hem, so I’ll cast on 58 stitches (which conveniently works with the multiple for the [2×2]+2 ribbing) and decrease twice (2 sts per decrease row) on my way to the underarms. I’m also planning to knit 15″ (56 rows) from cast-on to underarm, for a somewhat longer sweater. (The pattern is 11.5″ to the underarm.)

I want the armholes to be even narrower — the shoulders even wider — than the original version, so I’m sticking with 3 armhole stitches, which at this gauge will amount to just under an inch difference between the side and the armhole edge after seaming. And I also want the neck width to remain somewhere around 7″, which at my gauge of 2.75 sts/inch means 18 sts (rounded down from 19.25). So when you subtract my 6 (3+3) armhole stitches and 18 neck stitches from my 54 sts, that leaves 30 for the shoulders — 15 each. As you can see in my chart above—

3 armhole | 15 shoulder | 18 neck | 15 shoulder | 3 armhole

All of which I’ll match on the back piece. I still have a little more thinking to do about the decreases and edge treatment for my neckline (I’ll report back about that) but the above is all I needed to know to cast on!

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I hope you’ve found this series of Sloper posts informative and inspiring, whether or not you plan to cast on a sweater for the #sloperKAL. But of course what I really hope is that you’ll take a leap and cast on!

(Fashionary sketch template and Knitters Graph Paper Journal from Fringe Supply Co.)

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*I have no idea if doubled Kestrel is a good idea or not! I’m basically making chunky linen, which is a weird concept, on its face, and might result in a tank that turns into a dress over the course of a day — who knows! But I’m excited to find out. And I have no idea how much yarn it will require. I’ll let you know when I’m done with the first piece.

PREVIOUSLY: Sloper mods, part 2: Reshaping the pattern

Queue Check — April 2017 (and a correction!)

Queue Check — April 2017 (and a correction!)

Queue Check — April 2017 (and a correction!)

After very little knitting time on the big trip, and no knitting of any kind during Fever Week, I’ve finally made some further progress on my (painfully) mindless grey cardigan. I still believe I’ll be happy to have this sweater when it’s done, but this is one of those projects that I’m so apathetic about picking up at night that it makes me wonder if I’ve fallen out of love with knitting. (I haven’t — I’m just bored by this. That’s how it is sometimes!) What is lighting me up, though, is my swatch for the upcoming Sloper Knitalong! Which I’m knitting with two strands of Kestrel on US13s.

I’m really excited about this little summer sweater. As you can see in my sketches, I’m making a few key diversions from the pattern: lengthening it a bit, adding a slight bit of texture (thinking chunky Andalusian stitch could be interesting), making it a V-neck instead of a turtleneck (all of which we’ll go over!) … and knitting at a slightly different gauge.

Speaking of Sloper gauge, though, MAJOR MEA CULPA: I gave out bad intel in that Sloper KAL intro post. I knew it sounded wrong when I was typing it, but that’s what my notes said — except I was looking in the wrong place, and realized it when I was working on my own swatch here the other night. The pattern gauge is 2.25 sts per inch, not 2.5, and that was achieved on US15 (10mm) needles, not US11 (8mm) as originally stated. The 11s were the ribbing needle, not the main fabric. To anyone who’s been swatching ahead and trying to get gauge, I am so deeply sorry for the error. It’s been corrected in that post and will be correct when I post the “pattern” on Monday. But we’ll also be talking about how to adjust for gauge differences, so hopefully I haven’t made anyone too totally crazy with this! Sorry sorry sorry.

Regardless, I hope a lot of you are excited about the whole Sloper thing, which will kick off on Monday! I’m so excited to see what everyone will make. And I’m wishing you a magnificent weekend in the meantime …

Cardigan pattern: Improv
Yarn: Balance by O-Wool in Talc

(Lykke needles from Fringe Supply Co.)

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PREVIOUSLY in Queue Check: March 2017, a whole new queue

The Paris review and wardrobe travelogue

As I noted last week, I started working on this post the day after we got back, yet before what turned out to be several days all-but-unconscious with a fever. I’m so glad I had written this through before that happened, because at this point it all seems like a figment of my fevered imagination …

The Paris review and wardrobe travelogue
The Paris review and wardrobe travelogue

Under the heading of “blessings in disguise”: Our flight to Paris got postponed a day. We arrived at the airport that Monday afternoon just moments before the airline texted me to say that our flight to Atlanta was delayed several hours. Since we had a very brief layover, that meant we wouldn’t make our connecting flight. After an hour standing at the counter getting rebooked onto new flights the following day, we put our suitcases back in the car and went home. Dejected, sure, but that allowed me to do three things I hadn’t had time for: 1. sew pockets on my last-minute travel pants (see below), 2. sit down on my couch with a glass of wine and the guidebooks (most notably this priceless little gem) I had ordered with such good Type-A intentions yet hadn’t cracked open, and 3. run to Target for some Zyrtec D1, as it was becoming clear I was on a collision course with a sinus infection. And so, the next morning we headed back to the airport with me feeling much calmer and better prepared than I had the day before.

It was a dream of a trip and I’ve gotten a lot of requests for three things: Channel pics, Paris tips and a recap on how the ol’ slow-fashion/capsule travel wardrobe packing plans turned out. And of course I want at least a cursory record of the trip for myself. So I’m going to attempt to cover all of that here in the most manageable way I can think of, which is to break it down day by day, outfit by outfit, with most of the related tips and whatnot relegated to footnotes so you can further investigate whichever bits are of interest. Regardless, it’s a REALLY long post! Lots of photos. And I’m happy to answer any and all questions, so please ask away!

THE FINAL PACKING LIST

The Paris review and wardrobe travelogue

So in the end, I took 12 garments (3 on my person, 9 in my carry-on suitcase) and 3 pairs of shoes.

camel Channel cardigan
black cropped cardigan
– “secondhand” chambray shirt (rescued from Bob’s goodwill pile)
– black silk Elizabeth Suzann Artist Smock (locally made)
– plaid top (me-made, never blogged)
black sleeveless top
– visually mended linen chambray Madewell popover (c.2013, fast fashion but I’m making it last!)
– black Imogene+Willie tee (made in LA, no longer available)
– best-friend/safety-blanket Part Wolf t-shirt (no slow cred, but I’ve had and will wear it for years)
natural Willie jeans from Imogene+Willie (made in LA)
rigid Willie jeans from Imogene+Willie (made in LA)
– black linen Elizabeth Suzann Florence Pant (made locally, personalized by me)
black Vayarta slip-ons (handmade in Mexico)
– faux snake J.Crew ballet flats (“made in Italy,” hopefully; no longer available)
– silver Solid State flats (handmade in LA for local purveyor Goodwin)

And I ultimately decided on my trench coat (J.Crew c.2009-10) over my hooded rain jacket, based on the forecast.

If you compare to the draft list, I pulled out the striped sweater (it was clearly going to be a warm week and even the two cardigans seemed a tad excessive), scored a pair of black linen, elastic-waist, photoshoot-sample Florence Pants from my friends over at Elizabeth Suzann, and added my favorite old t-shirt for sleeping/lounging. Also in the suitcase were two other things intended for the hotel room: a pair of thin black leggings and some flipflops I bought during a footwear emergency in DC last summer.

Most days (every day?) involved a wardrobe change, as we would come back to the hotel in the late afternoon, tired/hot/dusty, put our feet up for a bit, take a shower, then venture back out for dinner, and I never came close to exhausting all of the combinatory possibilities of these 12 garments. Here’s how it all played out …

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TRAVEL DAY-AND-A-HALF (Tues into Weds)

The Paris review and wardrobe travelogue

On the plane, I wore the black linen linen pants (now with pockets!), the beloved t-shirt and the chambray shirt, along with my omnipresent grey scarf for scarf-slash-blanket usage, and the ballet flats. I had a pair of black footie socks in my backpack2 for in flight (and my trench was also wadded up in the backpack). Verdict: perfect 24-hour-travel clothes — thumbs up.

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DAY 1 (Or half-day, Weds eve)
me to La Bien Aimee/L’Oisive Thé; Bob wandering the Rue du Montmartre

The Paris review and wardrobe travelogue

We wound up landing in Paris on Wednesday morning instead of Tuesday morning as originally planned, and it took us several hours to get out of the airport and to the Hotel Panache3 via a series of trains. Which means we got to the hotel after lunchtime on Wednesday, and I was scheduled to visit our lovely Fringe Supply Co. stockist La Bien Aimée around 6pm and stay for dinner and knit night at L’Oisive Thé4. We tried and failed to nap (both of us ill at this point, Bob having beaten me there by about two weeks but me quickly catching up), and of course we were totally exhausted by the travel and also hadn’t eaten. By the time I sat up and had a little chat with myself about how I was ever going to stand up off the bed, much less get showered and dressed, into a cab, and enjoy the company of a roomful of knitters for four hours … I honestly didn’t know. And I honestly don’t know for sure if this is what I wore! That’s how messed up I was. But I’m pretty sure I pulled the comfy linen pants back on, and definitely the black sleeveless top and black cardigan, my trench coat and ballet flats. What I absolutely know for certain is I had a lovely time, and even perked up a bit once I got some food in me. I’m so thankful to everyone there for welcoming me, and only sorry I didn’t get to mingle more!

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DAY 2 (Thurs – first full day in France)
walk from hotel down through 2nd and 1st arrondissements to and around Louvre courtyard (where we did what tourists apparently do: stand on the stone blocks for pictures) / crossed the Seine into the 6th and wandered down Rue de Seine to the Luxembourg Gardens / croques-madames for lunch at Angelina / westward, popping into the famed Bon Marché (Bob needed a scarf5 and Aimée had said the store is worth a visit) and the Conran Shop, to the Eiffel Tower

The Paris review and wardrobe travelogue

Thursday was the coolest day of the forecast — likely my only chance to wear the Channel Cardigan I had finished knitting in time and imagined wearing throughout — so we knew it had to be sweater picture day. It turned out to be the only chance I got to wear it, but I’m so happy to have gotten to wear it that once (that place) before putting it away till Fall.

For photo purposes, I had planned to wear it with the sleeveless chambray top and the natural jeans, but wound up putting the black shell back on instead, plus my slip-ons that were meant to be my main walking shoes. These things are better than sneakers: soft-soled, SUPER cushy insoles, and no laces and flaps to potentially rough up your feet. I’d been wearing them to work nonstop for a couple weeks (where I stand for 8 hours a day and do a lot of moving around and manual labor and stuff) without any problem. And I had put blister guards on the backs of my feet for good measure. But a tiny catch in the seam at the back of the left one, imperceptible up till then, dug a hole right through the blister guard and into the back of my foot. So this was their only outing.

I don’t remember whether I changed for dinner that night, although I must have. (This was my worst sick day, before I started taking the drugs, so it’s foggy.) Certainly I did change shoes. After dinner, we took up a perch in the lobby with a view out onto the street and ordered champagne from the little hotel restaurant.

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DAY 3 (Fri)
walked to and across the Ile de la Cité to legendary Shakespeare and Co / cabbed over to the Musée D’Orsay to see the Impressionists et al / walked across the Seine and through the Tuileries / did some shopping in the 1st: WHSmith for magazines, Colette (a longtime fixture on my wishlist that graciously scheduled a Christoph Niemann6 show for while we were in town!), Cos and A.P.C. / walked back toward hotel along Rue Richlieu and stumbled into this amazing exhibit at Drawing Lab

The Paris review and wardrobe travelogue
The Paris review and wardrobe travelogue

Friday was a day for layers — fluctuating temperatures, but with a cool breeze. I wore the black shell and black cardigan again, with the dark Willies and the ballet flats, plus my trench coat — perfect for a day of art and shopping. It warmed up in the afternoon, so by then the sweater was in my backpack and I was happy in my little top and trench.

dinner at Ademi / drinks at Le Brébant / dessert at Floquifil 

The Paris review and wardrobe travelogue

For dinner that night, in a super casual mood, we ventured into a new little woodfired pizza place near the hotel called Ademi, which I liked both the look and smell of from having passed it a few times. Lovely people and good food, turns out. I think I went in my black tee, dark jeans, flats and trench.

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DAY 4 (Sat)
cabbed to the flea market, or the Marché aux Puces de St-Ouen, a lifelong dream of mine / from there to Sacré Couer and did the wander-through / walked down through Montmartre and the upper 9th back to the hotel, stopping at KB for chai (me) and juice (Bob), and at Sebastien Gaudard for pastries / cabbed to Pont Neuf and hopped on one of the bateaux mouches7 tour boats, then walked back

The Paris review and wardrobe travelogue
The Paris review and wardrobe travelogue

We covered more far-flung ground on Saturday, as we wanted to go up into the 18th to the world-famous flea market8 — which was heaven even I couldn’t fit any of the beautiful things into my suitcase — and to Sacré Couer and Montmartre and to the bateau, so we sort of alternated between cabs and walks that beautiful, warm day. I wore the black shell AGAIN, with the linen pants, chambray shirt and ballet flats, which was my ideal outfit for all of the above and for the weather. The scarf definitely came out of the backpack while we were out on the river.

dinner at Floquifil

The Paris review and wardrobe travelogue

Dinner that night was probably the most “dressed up” I got on this trip, for dinner in a rustic neighborhood hole-in-the-wall,  and I love this outfit so much: my Elizabeth Suzann silk top I’d been saving for the trip, black cardigan around my neck, dark Willies and silver flats. After dinner, we drank champagne in the lobby again and then went upstairs and ate the pastries9 we’d bought in the afternoon.

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DAY 5 (Sun)
wandered around the 3rd and 4th / cappuccino for Bob at Boot Café and breakfast at Rachel’s / into the Picasso Museum / down through Marais to the Seine again and over to the Tuileries

The Paris review and wardrobe travelogue
The Paris review and wardrobe travelogue

It was SO HOT so of course we walked for miles and miles and miles again. I had saved my list of hotspots in the 3rd and 4th for Sunday, having heard the Marais is open while the rest of the city is closed10. Every single shop and restaurant on my list though (save the micro and adorable Boot Café coffee shop) was closed! But as we wandered from one locked door to another, we passed a sign for the Picasso Museum11 and took it as, well, a sign that we should have had it on our agenda. (I’ll never forget this tiny little kid who was sketching in one of the galleries.) I had it in my head that I wanted to get back to the Tuileries and actually sit down in the bois and hang out with knitting and magazines. So after the Picasso, and a brief rest in the little park down the block, we rattled a few more locked doors in the 4th and then did something of a death march along the full-sun river walkway in the heat, feet screaming to be liberated, and arrived at the Tuileries to find all of Paris already occupying every last chair and bench. Brutal day, really, and I was overdressed. I’d worn my dark Willies again with the plaid top, ballet flats, and the Channel slung over my shoulders in an act of extreme optimism. It wound up in the backpack all day, and the plaid shirt was unwearable again after the sweating that went on. But I looked cute!

dinner at Mersea

The Paris review and wardrobe travelogue

For dinner, we knew our options would be limited to the neighborhood brasseries (always open) and a few other random casual dining spots. We wound up at a fish-and-chips place called Mersea that we walked past multiple times a day on Rue du Montmartre going to and from the hotel, with me commenting every time that the place was adorable and the name amusing and who doesn’t love fish and chips. We had the best time and the *best* fish and chips. It’s a new place owned by two really charming young guys who worked with a 2-Michelin-star chef on their small menu, and I so hope they do well. If you’re near there, please eat there. I went in just my black tee, linen pants and the flip-flops, totally appropriate for the laid-back joint.

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DAY 6 (Mon)
breakfast at Bob’s Kitchen / acquired assorted bread products at Huré / strolled down past the Centre Pompidou (even more of an eyeful than I ever imagined) to Notre Dame for a closer look, then over to and through Ile St Louis / cabbed back to hotel for the afternoon / one last walk up to KB for chai and juice before dinner

The Paris review and wardrobe travelogue
The Paris review and wardrobe travelogue

We weren’t meant to be in Paris on Monday — we were planning a daytrip to Reims — but we couldn’t sleep Sunday night and decided to turn off the alarm we had set. So instead, we had a super leisurely last day in the city, which was cool and breezy again after the brick oven of the previous day. For our morning wander, I wore my beloved t-shirt and natural Willies with my trench, my black cardigan as a scarf, and the unflappable flats. This is the outfit that’s probably the most purely me, and that pic of me alongside the Seine across from Notre Dame is also my favorite photo I’ve ever had the good luck to appear in, and a perfect memento of the trip. I loved this quiet day.

dinner at the Panache

The Paris review and wardrobe travelogue

Bob had dined alone in the hotel restaurant that first night while I was out with the knitters, and kept raving about his meal, so I was determined to eat there before we left. (We’d had breakfast there most mornings, and it was perfection, but we’re talking croissants, cheese, fruit, juice, etc., and I wanted the full dining experience.) I wore my silk Artist Smock again with the black pants — full Elizabeth Suzann — and the silver shoes. Hilariously, this hasty bathroom selfie is the only photo of any of my eveningwear. I felt great in this outfit, and enjoyed my favorite meal in Paris and maybe one of my favorite of all time, actually. If you have a chance to dine there, please have the asparagus and monkfish dish for me.

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TRAVEL DAY (Tues)
one last breakfast at the Panache / cabbed to CDG and flew home

The Paris review and wardrobe travelogue

For the long flight home, I put on my most comfortable things: the linen pants, the black t-shirt, the black sweater (which spent most of the day around my neck and shoulders) and — feeling my feet could use a change of pace — the silver shoes. I had to laugh when we got to the AirFrance terminal, which is basically the fanciest mall I’ve ever set foot in (need a little Prada or Burberry before you go?), so I felt like my silver shoes were totally in order. Bedhead notwithstanding.

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All told, only 1 garment went unworn — the chambray sleeveless popover — which is absolutely a record for me and packing. As is taking only 12 garments in the first place. (My usual MO is to throw at least 6-8 random tees/tops/tanks into any given suitcase as backups, on top of whatever I already packed.) The workhorses of the trip were clearly the black cardigan, shell and pants, and the ballet flats. It’s a shame the Vayartas didn’t work out for this particular purpose, but I’ll still get a ton of wear out of them, and I actually felt cuter in the ballerinas every day anyway. My feet would not have objected to more cushion, but Dr. Scholls got me through!

This tiny but extremely versatile wardrobe was a vivid reminder to me of how much happier I really am with a small assortment of hardworking clothes, the resulting reduced need to think about getting dressed, and knowing I’ll look good no matter which way I combine them. It’s motivation to keep my closet from ballooning again, for sure. And one of the most striking things about the trip was how different it would have been before my slow-fashion conversion. We went into a few of my longtime favorite shops (most notably A.P.C.) and I fingered things and admired the design and walked away empty-handed, with no regrets, because all of it was made in China/Tunisia/Romania. So I’ve become a contented window-shopper at this stage of my life.

It’s funny to give such a sketchy and clothing-centric outline of this trip that I’ve longed for since my 8th-grade French 1 class, but it also makes it very visual and memorable for me. I could write another 8000 words about how and why I loved it, but all that really matters is we were there, and we loved it.

The Paris review and wardrobe travelogue

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THE FOOTNOTES

1. A few years ago, I had a sinus infection so bad — like someone had walled off my head, nothing getting in or out! — that one night Bob dragged me to the ER in search of help. A nurse gave me this tip: Zyrtec D. The key detail is the “D” — it’s a semi-controlled substance. You don’t need a prescription, but you do have to ask the pharmacist for it, and sign for it. (It kept me alive through the week in Paris, but apparently was no match for whatever I came home with.)

2. My trusty backpack is one I got from SF company Alite Designs at West Coast Craft in October 2013 — they were sewing them right there in their booth. It’s been everywhere with me the past four years.

3. We stayed at the pretty little Hotel Panache, in the lower 9th, and it was perfect for us — affordable, conveniently located between the arrondissements we wanted to visit, etc. Everyone was lovely and helpful, and the restaurant was terrific. It is a European hotel, not an American one, so if you book a room be prepared for small, and pay attention when booking as not all rooms have their own bathroom.

4. If you’re ever in Paris on a Wednesday night, definitely try to reserve a seat for dinner-and-knitting night at L’Oisive Thé.

5. We found the perfect thing and realized we were in the J.Crew dept, LOL.

6. Christoph Niemann is an illustrator-artist I admire tremendously. If you haven’t seen the first episode of the Netflix series Abstract, it’s a must-watch. And I was rendered speechless when I saw, just before I left, that his Colette show included this.

7. Several people told me the bateaux mouches — the tourist boats that run up and down the Seine — are worth doing, and they were totally right. It’s a good way to get the lay of the museum-and-monument land, especially at the start of your trip.

8. I never imagined quite how vast the flea market could be, and would have been lost were it not for Katariina Lambert’s note in her gorgeous guidebook that the best of the mid-century antique vendors are in the Marché Paul Bert section in the center of it all.

9. I know this is blasphemy, but I’ve now had macarons in Paris, from both Gaudard and Ladurée: both delicious but neither beats Miette in San Francisco.

10. Seriously, if you’re in Paris on Sunday and/or Monday plan to do the museums and monuments on those days, and save your shopping or smaller destinations for the other days of the week.

11. The Picasso museum had a show up that centered around his wife, Olga, and how she factored into his work as their marriage disintegrated over the years. I loved how biographical the show wound up being, which was more interesting to me than any particular period of his work or whatever. But what I really loved was the building! A work of art unto itself.

(Field Bag and Lykke needles from Fringe Supply Co.)

Pardonnez-moi

What I knitted on my Paris vacation

Hey friends, I’m back in the land of biscuits and gravy, eager to tell you about my trip. I spent a huge chunk of yesterday working on an epic recap but had to concede late last night that I need at least that much again to finish it up. (So many photos to comb through …) Tomorrow I have something else fun to tell you about, but I’ll definitely have the Paris handmade-wardrobe travelogue for you on Monday! Meanwhile, here’s a picture of what I knitted on my spring vacation — the beginnings of the summer cardigan plotted out here, and knitted on just the two flight days and knit night at L’Oisive Thé, There was no other time for knitting! But still pretty good progress, n’est-ce pas?

Pattern: Improv
Yarn: Balance by O-Wool

And then a “Summer of Basics” make-along?

And then how about a #summerofbasics?

On the heels of the Sloper mini-knitalong I proposed for May yesterday, I have a make-along idea for the summer I’m hoping to get you excited about. There are serious basics my closet is lacking, both knitted and sewn, at least one of which is a bit of mental hurdle and skill stretcher for me (see below). I made a pact with myself to devote my summer to filling some of these key gaps and naturally thought I’d rope you in, too! So what I’m proposing today is the #summerofbasics — wherein we each make three basics in three months! Starting June 1st and running through the end of August.

They can be whatever garments you want or need, and by whatever your definition of a “basic” is. My Make Your Own Basics series makes a great jumping-off point (you can also see the whole thing at a glance on Pinterest), and you might find all the patterns you need there. Or you might be inspired to pick your archetypes from there but pick totally different patterns. Or go entirely your own way — whatever works for you! Your three can be all knitting, all sewing, or a combination of the two.

The only parameter is three basics in three months.

I’ve got a few of my favorite friend-brands on board — including Kelbourne Woolens, Grainline Studio and Fancy Tiger Crafts — so I’ll have some prizes to talk about as the date draws near. And I know there are other sewalongs and knitalongs that tend to happen in summer than you can very likely double-dip into. But the point, as always, is the camaraderie and support — and winding up with three great garments that you can be proud of and that will make your closet work harder than it currently does!

I’m not locking myself into this yet, but I think my three will be the following:

TOP: the grey half-textured pullover from my Queue Check the other day

BOTTOM LEFT: an Archer Button-Up shirt! This is the mental hurdle/skill stretcher one

BOTTOM RIGHT: a simple black linen dress of some kind, possibly a modified Fen

I have till June 1 to rethink that a hundred times! What will yours be?

Happy weekend, everyone! Can’t wait to hear your thoughts on all this—

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PREVIOUSLYHow about a mini sleeveless turtleneck knitalong?

Queue Check — March 2017: A whole new queue

Queue Check — March 2017: A whole new queue

Queue Check — March 2017: A whole new queue

Here I am at a pivotal moment! My you-know-what cardigan is done, and the shape of my sweater collection changed drastically this month, leaving me with effectively nothing on the needles and a whole new knitting horizon to consider. The next thing I cast on actually has to be my hat pattern for my Squam class in June, so that’s likely going on the big trip with me. But then, as previously noted, I’ll be picking two sweaters to cast on — one from the mindless column of my list and one from the challenging column. As it happens, I have a nice long list to pick from! But the top two are above:

MINDLESS: The least exciting sweater in my sketch pile is the one I need the most. I’ve been saying for as long as I’ve had this blog that I need a good summer cardigan, and Bellows had stepped into that role the last two years. Now that it’s gone to live with my mom, I have to immediately fill the summer-cardigan gap. Rather than make another superbulky shawl-collar to improbably fill that role, I’m going with something more basic and adaptable — a simple V-neck Improv cardigan. But I do think the yarn should still be Balance, as Bellows was. Holding this yarn single (it was doubled for Bellows) means alternating skeins and I’m lazy, so I got to thinking about other ways to deal with the ball changes. I’ve always loved Joelle Hoverson’s idea, from her Diagonal Pinstripe Scarf, to knit a stripe wherever she happened to be when she put the project down, and thought I could follow similar logic here, except knitting a couple of garter ridges wherever the ball change happened to occur. I debated sticking with the Graphite colorway, since that had worked well for me, but think this particular cardigan might seem too somber in charcoal, so I’m going with the light grey, Talc.

CHALLENGING: As eager as I am to replace my shawl collar, I think it’s high time I knitted the fisherman sweater I’ve always dreamed of. 2017 is the year, dammit! And I plan to take my time with it, so I better get started. I believe I’ve settled on the vintage pattern, Bernat 536-145, that keeps turning up in my path, over and over, since that feels like the universe trying to make a point. I haven’t tried it yet, but for the yarn I’m hoping I can make Arranmore work, because I’m in love with this yarn and think the tweediness of it would be both attractive and useful here. We’ll see what a swatch says!

Beyond that, I’ve made three more pattern/yarn decisions — all standing in the Mindless line:

Queue Check — March 2017: A whole new queue

TOP: There’s a sweater floating around Pinterest the last few years that I find myself never not wanting (I think it might have been Steven Alan), but of course it was several seasons ago and no longer available, so I’ve decided that’s what I’ll be doing with my treasured Junegrass. (Improv) I also have ideas about the timing and context of this one, which I’ll have more to say about soon!

MIDDLE: I knitted this swatch with the two weights (bulky and DK) of the brassy TN Textile Mill merino held together, and I’m deeply in love with it. Want to make a big, simple funnel-neck pullover, and am so tempted to do it right away — it would be so quick! — but that’s silly when it can’t be worn for months and I have a pressing need to fill. So it will have to wait. (Also Improv.)

BOTTOM: For all the times I’ve said I wish my purple Trillium cardigan was grey, I’ve decided to make a grey one. I happen to have the two random sleeves I knitted long ago from my beloved Sawkill Farm stash, and am planning to see if I can make them work for Trillium. Not sure if I’ll do the chevrons-and-nups treatment around the yoke or modify that somehow.

And then there are the others on the horizon that I haven’t made any yarn decisions about yet:

Queue Check — March 2017: A whole new queue

TOP LEFT: I’m champing at the bit to try the Cocoknits Method of top-down, which leads to English-tailored shoulders and set-in sleeves. I want both a big bulky pullover and a chunky cardigan, and will likely follow some version of the Emma pattern for whichever I ultimately decide on.

TOP RIGHT: Yep, it’s that sleeveless turtleneck again. I’m going to knit another one and hope you will too! I’ll have lots more to say about that tomorrow.

BOTTOM LEFT: Not letting go of the cowichan-ish idea, likely a customized version of Jane Richmond’s West Coast Cardigan.

BOTTOM RIGHT: And pretty sure the shawl-collar replacement will be Norah Gaughan’s Sourcebook Chunky Cardigan. Not sure about yarn yet, but this will likely come next in the Challenging column, someday when the vintage Bernat is done.

Either of those last two would make an excellent Rhineback sweater-jacket, so that may have bearing on how the queue plays out over the next few months!

(Fashionary sketch templates and Lykke Driftwood needles from Fringe Supply Co.)

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PREVIOUSLY in Queue Check: February 2017