I know the last Hot Tip was about knitting the sleeves first, but this time I want to talk about the exact opposite! This is my St. Brendan-in-progress, and it’s a perfect example of a case where deferring the sleeves makes more sense. With bottom-up-seamless construction, you knit three tubes — one body and two sleeves — then you work a join round where you knit across the front of the body, across the stitches of one sleeve, then the back of the body and the other sleeve, and voilà, you’ve got them all joined together on one circular needle, ready to proceed with the seamless yoke. But sometimes, you might not be ready to commit!
Sleeve length is a function of two factors: the depth of the yoke it attaches to (shoulder to underarm) plus the length of the sleeve itself (underarm to cuff). In the case of this sweater, I don’t know exactly how deep the yoke will be, so how could I know how long to make my sleeves before joining them at the underarm? What do I mean I don’t know? The schematic in this case is not quite as detailed as I like a schematic to be, but even if it were, that’s not enough information. I already know my row gauge tends to be more compact than everyone else’s, so working the prescribed number of rows might very well leave me with a shallower yoke than the pattern writer’s. Plus I’m planning to change the neck a bit — working some short rows to bring the back neck up a little, and making a smaller neckhole. So I’ll be adding rows that the pattern doesn’t call for, and don’t know how many (I’ll be experimenting), which means I can’t know precisely how my finished yoke will sit.
That’s when this trick comes in handy. (That, or you aren’t certain about the fit or styling or color or something, and want to see how it plays out before investing sleeve time. Or you just really want to get on with the yoke because that’s where all the fun is!) I learned this one from Felicia of The Craft Sessions a few years ago and find it invaluable. As noted above, when you get to the point of joining the body and sleeves, you have the body on one needle and the sleeve stitches on another. It doesn’t actually matter whether those stitches on the other needle are literally sleeve stitches — you just need stitches to work into. In this case, I am meant to have a sleeve composed of 54 sts, 8 of which have been set aside for the underarm, and the other 46 of which are to be joined to the body. So I need a needle with 46 stitches on it. To get them, I’ve simply taken a length of waste yarn, cast on 46 stitches (plain old long-tail), then worked the join row into them exactly as if they were the sleeve stitches (repeating for the second sleeve). When my sweater is done and blocked and I know exactly where the underarm falls, I can measure exactly how long I want my sleeves to be. At that point, you carefully unpick the waste yarn and put those live stitches back on a needle, and you have a couple of choices about how to proceed:
- Knit the sleeves from the top down, either picking up or casting on for the necessary underarm sts, and reversing the sleeve shaping so you’re working decreases instead of increases. You can even knit them top-down flat, if you like. (Note that in a case like this one, where there is colorwork involved, you’d need to work the chart from the top down as well. Not all charts are readily invertible.)
- Knit the sleeves from the bottom up, exactly as described in the pattern, then graft them together with the live stitches from the yoke.
Of course, to get sleeve length (or any length) right, in any case, you need to have blocked your swatch and measured it carefully, before and after blocking. If the fabric grows or shrinks with blocking, you always need to take that into account when knitting your sweater/parts. As always, a blocked swatch and precise measurements are the key to nailing the fit.
p.s. If anyone’s concerned about the shape of this sweater, remember the bottom 8″ or so have been blocked and the rest has not, which is why it’s so much wider at the bottom right now.
PREVIOUSLY in Hot Tips: Start with a sleeve