FO Sightings: Lori’s generous hats

FO Sightings: Lori's generous hats

Sorry for my scarcity last week — it was a total rollercoaster of a week, with our house falling through twice before a deal was finally struck. We closed unexpectedly late Thursday afternoon and are suddenly moving tomorrow (yoiks!), after packing and working with the painter all weekend, so it’s been quite a time. But one of the highlights of last week was the appearance in my Instagram feed of these hats by Lori Graham, aka Lori Times Five aka @loritimesfive. The solid ones on the right in the upper photo are Hipster by Tin Can Knits, and they look marvelous, but the ribbed and striped ones are variations on my Stadium Hat (free pattern), and it makes me so happy to see them piling up like that. If you follow Lori, you know her husband is a sea kayaking guide in Southern California, and apparently his coworkers were envious of his handknit hats. Being a knitter of the most generous sort, Lori was happy to oblige. :) Thanks for the vicarious grins, Lori!

In addition to final moving preparations, I’m headed to the factory this afternoon to see how they’re doing on the project bags. Such a week! I promise more news on that once I’ve seen them.

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PREVIOUSLY in FO Sightings: Woolenflower’s Faroese dream

New Favorites: from Interweave Knits Fall ’15

New Favorites: from Interweave Knits Fall '15

Fall magazines are starting to drop! The Interweave Knits Fall preview is out, and it looks like a bit of a gem. My favorites happen to be three sweater patterns that are all about their yokes:

TOP: Agrotera Pullover by Amanda Bell has a slightly Art Nouveau-ish lace pattern around a circular yoke

MIDDLE: St. Helier Pullover by Mary Anne Benedetto is a perfectly lovely little gansey (I personally would skip the lace shirttail action)

BOTTOM: Tucker Sweater by Amanda Scheuzger is another circular yoke, this time with an encircling cable motif

The other one I’m smitten with is Yellow Gold Pullover by Linda Marveng. I don’t love the proportions of it, but I’m intrigued by the combination of the horizontal stripes with those absolutely jaw-dropping chain-link cables.

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PREVIOUSLY in New Favorites: the WATG x Raeburn beanies

Our Tools, Ourselves: Victoria Pemberton

In Our Tools, Ourselves, we get to know fiber artisans of all walks, ages, styles and skill levels, by way of their tools. For more on the series, read the introduction.

Our Tools, Ourselves: Victoria Pemberton

Australian multi-crafter Victoria Pemberton is one of those people I fell for on the Internet before knowing she was a knitter. A year or two ago, a bunch of Aussies I follow on Instagram were suddenly all talking about a really amazing sounding pop-up that was happening, and it involved repeated mentions of one @vic_pemberton, whose shibori home goods were really beautiful. After following her for a little while, I was thrilled to discover that not only does she dye and sew, she knits! And I’m happy to be able to give you a glimpse into her world today. Thanks, Vic!

Be sure to check out Vic’s blog and her gorgeous wares at Bind | Fold.

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Do you knit, crochet, weave, spin, dye, sew … ?

I knit for pleasure, and also for the resulting product. I had three goes at learning to knit, and the third time is the one that stuck. I was 6 months in to being a mother, and I wanted to knit my son a jumper. I just went for it — I was so determined that this time I was going to ROCK at knitting. I was very slow, and I knit an awful sweater, and it was a struggle. My finishing was pretty rubbish, but then I learned about all these great things like mattress stitch, and kitchener stitch and knitting in the round, and OMG continental knitting! Switching my yarn to my left hand was the clincher for me — I could suddenly knit 3 times faster, with better tension, and I could hold both needles up at the same time.

I am also a sewer. I had wanted to sew a quilt for a really long time, and one day I borrowed a sewing machine from a friend and I made a quilt! And it was amazing! After that I got really into it — I bought my own sewing machine and made a few quilts. These days I sew mostly items for sale, but I also like to sew clothes for myself and my son when I can. I’d really like to learn how to make jeans and jackets. I love both of those things very much.

Finally, I am also a dyer. This is my work, my life, and the craft I pursue more than any other. I work with indigo and I have what feels like a living relationship with my work. I took up dyeing when my son was one year old (I seem to measure everything by his age), and it was summer and I wanted to give it a shot. I’d been thinking about quilting again and textile design, and dyeing looked like a good start. It was immediate and hands on. I used cold water dyes for awhile, but I became interested in traditional dye techniques, discovered shibori and then moved to natural dyes.

otos_vic_pemberton_crafts

Tell us about your tool preferences and peccadilloes.

For knitting, I use knit pro bamboo circulars. A woman I met on the internet put me onto them quite early on in my knitting journey and I’ve never used anything else. I really like that I can just change the tips and I’m good to go. I do need to look into getting metal ones for smaller sizes, though. I must have freakishly strong hands because I keep snapping them.

My sewing gear is quite limited. I have my trusty Bernina, my universal or microtex needles, and either cotton or poly thread depending on what I’m making. I don’t really deviate outside of that. Oh yeah, and scissors. Everyone get ready to cringe: I
cut paper with my fabric scissors all the time!! Arrgh!! Sorry internet.

For my dye tools, I love a good C clamp, a pipe and a well-twisted piece of cotton string. I’m also quite partial to bathroom tiles for using as a resist — it’s always interesting when you clamp them too tight and they crack. It can do really cool things.

How do you store or organize your tools? Or do you?

Ok, my secret is out. I am an extremely organized disorganized person. I suffer from what I call “organizational fits.” These usually come about after “creative fits” where I have so much going on in my studio that I can’t find or do anything.

With my knitting, I’ll put all my needles, cables, tapestry needles, and stitch markers and string and tiny scissors in a basket. Then over the course of a few weeks, that basket gets full, so I reorganize into smaller baskets of stuff, grouping similar objects. This then deteriorates to stuff just being everywhere in random baskets, bags, cases and surfaces as I use things, change needle tips and start new patterns. My needle tips just end up everywhere, most recently I’ve been putting them in my random tool jar on my desk.

My sewing and dye tools are pretty much stored in the same way. They all have specific homes, it’s just they don’t get to live in them all the time.

Our Tools, Ourselves: Victoria Pemberton

How do you store or organize your works-in-progress?

Ah, I’m not too bad with this one. I’m a one-project-at-a-time woman, most of the time. For knitting I used to just “store” my WIP on the back of the couch, and stuff the pattern pages down the side of the arm where I sit. But we got a puppy a few months ago and she is obsessed with my knitting, and she steals it and eats it! So now I have a basket up high next to the couch, and I only keep the project I’m working on and the tools I need for it in it, until it’s done. All within arm’s reach at the end of the day, ready for my next knit marathon. So far the dog has left it alone under threat of being forced to sleep on the floor.

My sewing works-in-progress get piled (neatly) all over the studio, on the ironing board, my desk, the back of my chair, and they just get moved about from all these really visible places. I leave them out to remind myself to “do some work!”

My dye works-in-progress just get to hang out in buckets with lids on them until they’re washed out. Then they join the piles in my studio. These then get organized into cupboards and shelves during one of my “organizational fits.”

Are there any particularly prized possessions amongst your tools?

No :( I should get some. I do love all my tools, though — they’re so useful. I’ve just asked a farm where the owner is also a spinner to hand spin me some top that I’ll dye first for a jumper. So that will be a splurge and it’s going to be a great project once it happens. It kind of makes me want to learn to spin too!

I suppose I do have one thing that is special. I visited Hiroyuki Shindo recently and I bought a new little pouch from him, made from his dye work. It’s my new knitting bag.

Do you lend your tools?

Well I haven’t so far, but that’s because I’m a bit of a solitary crafter. I do let my students use my tools when I’ve got a workshop on, does that count?

I’ve been trying to convince my husband we should do a “knowledge swap.” Where once a week, we teach each other something about things we love doing. I want to teach him to knit, and I said he could teach me computer programming, but he doesn’t seem that keen. I don’t think he has any faith in my geek abilities. I don’t know if I could lend anything, though; What if I
need it? Maybe I’ll buy my husband his own set of needles. Now I know what to get him for his birthday.

What is your favorite place to knit/sew/crochet/whatever?

My fave place to knit is on the couch, in front of the telly, or while listening to an audiobook. I have it all set up, with a little lamp so I can see my knitting late at night. My feet are on the coffee table. I have a cup of cocoa, and my basket of knitty things is beside me. On weeknights our dog curls up and sleeps beside me, and on weekends if I’m lucky my son comes and
sneaks in under one arm and we’ll watch a movie together. It’s pretty special actually. I sew only in my studio, and I dye only in the yard. If it’s really really pouring rain and I have to work and I only have small things to dye, I’ll work in the laundry. I don’t like to though, because there isn’t much room and it’s a white room. Every time I drip dye on the floor I freak out a little that it will stain. It hasn’t yet, but I still worry that it will.

Our Tools, Ourselves: Victoria Pemberton

What effect do the seasons have on you?

I knit almost all year round. Last year I took maybe a two-month break around November. I think because it was quite hot, I was busy with work and next winter seemed so far away that I just stopped! I guess I sew more in summer, I’m obsessed with short sleeve tops made out of linen and other lightweight breezy fabrics.

I do like to knit in summer though, I feel like I’m preparing for winter. I like to have at least one sweater finished by March/April because that’s when it starts to get cold here. Sometimes to get me into the groove, I’ll watch movies or TV shows that have snow in them. It totally works! It just makes you want to get cozy.

I sew and dye all year around, since it’s for work, but boy, dyeing outside in winter can really be brutal. Last week I had three work days in a row where I needed to be outside dyeing, and we’ve just had what is being referred to as an “antarctic blast” — kind of like the polar vortex you had in the US, but milder I suppose. It wasn’t mild for us though, it was 2 degrees outside the other day! I spent all day with my hands in cold water in 2 degrees!

In summer though, gosh it’s great. It’s sunny, warm, and just relaxing. I think I could definitely get into being a seasonal crafter. I never used to like summer until I became a dyer, but now I kind of love it.

Do you have a dark secret, guilty pleasure or odd quirk, where your fiber pursuits are concerned?

When I first started sewing, I felt like building a stash was really important. I was really into quilting, and I loved all the great quilting fabric you could get, so I amassed quite a bit of it. The thing is, though, I never sewed with it. I ended up selling it, because I’d always find a different project that it wasn’t right for. I do have some amazing linen that I just bought in Japan, which totally makes me a hypocrite, but I have very real things to make with them, they’re not just for a future not yet thought of project.

So I guess I don’t really believe in having a stash! The same goes for my knitting. I like the immediacy of picking a project and the yarn at the same time. It makes it exciting. It’s a thrill. More of a thrill, I think, than finding a great pattern and then thinking “Dammit, now I have to use up some of the yarn I have, and it’s all BORING.”

No guilty secrets or quirks for my dyeing. However, I do really enjoy the different scents of most natural dyes. Is that weird? Some of them just smell like a warm hug.

What are you working on right now?

I am just sinking my teeth into the new Koto pattern by Olga Buraya-Kefelian. I love how structural it is; I’m really excited by it. It reminds me of Japanese architecture, concrete slabs and minimalism. I find it organic, geometric and soothing. Hopefully that makes sense! The yarn I’m using for it is from a farm called Tarndie, about two hours drive from Melbourne. It’s an amazing place and the owners are the descendants of the family who bred Australia’s first sheep, the Polwarth. It’s amazing yarn and I actually love it so much that my last three projects before this used their yarn. It’s incredibly soft and warm. For dyeing, I’m doing some new exciting stuff too, actually. I’ve been keen to try out some new ideas for awhile and I’m finally getting around to it. At the moment I’m trying out different resist techniques on different fabrics. Hopefully I’ll have something to show for it soon!

Our Tools, Ourselves: Victoria Pemberton

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Hot Tip: Mind your edge stitches

Hot Tip: Mind your edge stitches

I’m pretty sure the first person to ever clue me in on this one was my pal Meg Strong. A lot of times there will be an edge of your knitting that’s exposed — say, the long sides of a scarf or the edge of a button band (when knit integrally or vertically). Or, as pictured above, the armhole edges of the superbulky sleeveless turtleneck I’m working on, which are especially prominent at this scale. If you work the edge stitches normally — for instance, in stockinette — you wind up with a bump on the edge of your knitting at each row. Sometimes it looks fine, like if it’s garter stitch ridges at the edges of the work anyway. But often it’s nicer to have that edge look smoother and more finished. Current patterns will often specify how to work edge stitches when they’re meant to be picked up or seamed together (e.g., stockinette selvage or twisted stitch selvage, or whatever the case may be), but it’s less often noted what to do when the edge will not be disappearing into a seam. For the cleanest finish on a visible selvage, all you need to do is slip the first stitch on each row with the yarn held in front, work to the opposite edge of the fabric as written, and then knit the last stitch. So on the right side, the first stitch gets slipped wyif. When you come back to that slipped stitch at the left edge of the wrong side, you knit it. Same thing on the wrong side: slip the first stitch wyif, work to the other end, knit the last stitch.

Try it on a swatch  — knit a few rows in plain stockinette and then a few rows with the edge stitches slipped — and you’ll see what a difference such a simple thing can make.

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PREVIOUSLY in Hot Tips: Off-center your buttons

So thankful for this

So thankful for this

I’d planned on having a nice juicy Elsewhere for you guys today, but this week has been utter chaos and yesterday got 100% derailed with both mortgage and factory concerns vying for my attention. However difficult and time-consuming it may be, the good news is A) we’re buying a house! and B) the project bags are being made! Today I’m actually visiting the factory to see the first of the completed bags, and I should have more news about that at the beginning of next week. The other good news (if you’re me! haha) is that in the midst of all of this, I had a tiny window — maybe 45 minutes — of some of the happiest, most blissful making of my life. On Wednesday night (a day which also brought us a desperately needed break from the oppressive heat), I managed to get my sewing machine running again and fell into a trance while working through the first few steps of that Gallery Dress I wrote about on Monday. I don’t think of sewing as a good time. I find it tedious but rewarding, frankly. Maybe it was the mayhem I was escaping; maybe it was the magic of creating that placket (I kept thinking of the first time I did Kitchener stitch — being stunned by the sorcery of it) but I had the most fun working on this dress for that short span of time. I know not everyone finds their bliss the way we do, knitting and crochet and sewing and whatever, but I was so thankful that I have this outlet at times like this. And I hope for everyone that if they don’t have this, they have something.

Here’s to a weekend with at least a few happy making moments for every one of you. See you next week!

Blog Crush: Temple of Knit

Blog Crush: Temple of Knit

I’m going out on the limb again with another very new blog, but I love this one so much I want to offer any and all encouragement with regards to Temple of Knit, by the lovely Swedish knitter known on Ravelry as fiksi. Her real name is Simone, and I do love her for the fact that she’s linked to Fringe Association several times (which is how it came to my attention), but that’s the least of it. It seems everyone in Sweden is born with an innate sense of spare style, and Simone might have gotten even more than her fair share. Her photos are beautiful and we have similar taste in knitwear, so of course the whole things makes me drool. But she’s also published a couple of very simple and perfect patterns so far — the Simple Lines 2.0 scarf and Simple House Slippers (inspired in part by my old Tootsie Toasters shenanigans with Meg) — and hopefully we can all look forward to more of that!

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PREVIOUSLY in Blog Crush: Voices of Industry

New Favorites: the WATG x Raeburn beanies

New Favorites: the WATG x Raeburn beanies

I love a pleasant surprise. As previously noted when the collection first walked the runway, I really like the pieces Wool and the Gang designed for Christopher Raeburn’s Fall 2015 show. My favorite was the giant beanie, especially for the way the mixed yarns mimicked that incredible bouclé tweed fabric used for the coat it was worn with. Well, the knit kits have just hit the WATG website, and what I missed when looking at those photos before (or have long since forgotten about) was the solid black version. Seeing it yesterday in white, up top, gave me a whole new appreciation for this hat. But even more than that, I LOVE the way it looks folded up (like, you know), as opposed to the way it was worn on the runway. So now I’m coveting it in white, black and the runway-multi version. It’s not sold as an individual pattern (at least at this time) but the solid kit is called Abyss and the multi-hued version is Atlantis.

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