The shawl is off the needles and on the blocking board! Which means I get to cast on a you-know-what (or three). My mail has been particularly yarny this week, in conjunction with the shuffling of my knitting queue:
The army-green O-Wool Balance up top is not for any of the things I’ve proposed army green for before. Rather, it’s for something I can’t quite talk about. I have a really fun and intriguing pattern in mind for this September’s big Fringe and Friends Knitalong, but there’s one major modification I think a lot of people will want to make. So I’m testing that mod before settling on the knitalong pattern, and will therefore keep this preliminary version under wraps until I’m ready to say more about all of that!
The beautifully farmy silver-grey yarn in the middle is for a pattern I’ve agreed to write, with the knitted garment and graded pattern (eek!) due in six weeks, so that’s an urgent one. And that is the sum total of what I’m able to say about that little project. Also to be revealed this fall.
And then there’s the Hole & Sons. Don’t hate me, but I got lucky and scored some from the second batch — in the new figgy-charcoal color called Shale. Haven’t decided what it will be yet, but I fear whatever it is may jump in front of my long-planned Channel cardigan to become my Rhinebeck sweater. So I’ll need to figure it out in time to cast on this summer.
But meanwhile, I have a pressing need for a good lightweight, neutral cardigan for the aggressively air-conditioned indoors of summer. My friends at Shibui sent me a pile of yarns I’ve had my eye on, so I’ll be squeezing in a swatch for that wherever I can, and hoping to get time to knit it before too long!
NOW — SOMETHING EXTREMELY IMPORTANT I want to talk to you about, completely unrelated: As knitters and sewers of the attentive sort, you’re no doubt aware of the perilous demise of the textile and garment industries in this country in recent years. Mills have largely disappeared. Factories have closed or crawl along with aging staff and no younger generation to pass the knowledge on to. The gravity of the situation has been driven home to me over the past year as I’ve searched for a domestic factory to produce the Fringe Supply Project Bag — it’s a distressingly difficult proposition, and one that shouldn’t be difficult at all. Everyone wonders why I don’t just have it made in China. (All of which also contributed to my proposal for Slow Fashion October.)
You may also be aware that we moved to Nashville last year because of the thriving maker community here. In addition to other disciplines, there is a concentration of small-batch fashion designers, as well as weavers and fiber artists and, now, Fringe Supply Co. Recently, the Nashville Fashion Alliance was formed, with the goal of creating the infrastructure these small companies need to thrive right here. Networking, shared resources, and most important, job training to create a sizable work force of skilled sewers. And there’s a ready employer — a factory with plenty of work for those people. It’s due to a connection between a couple of key NFA players that the project bag will finally be going into production this summer, and not only will it not be made in China, it will be made right here in the city limits of Nashville. Can you hear my heart singing?! I’ll have more to say about that soon, but I want you to know right now that the NFA has a Kickstarter campaign going to fund their efforts, primarily the job training program. It ends today and they need your help, and I want you to understand it’s not just about Nashville. It’s about a movement toward bringing garment industry jobs back to the US. Regardless of where you live, if you care about these issues, I’m asking if you’ll help fund the NFA. Even a few dollars helps! Thank you for listening!
SPEAKING OF Fringe Supply Co, the summer issue of Pom Pom is here!
Have a great weekend, everyone!