If you haven’t seen all the great responses on Wednesday’s Q for You — or haven’t weighed in — don’t miss that, either.
Happy weekend, everyone!
IN SHOP NEWS: For the first time this year, I think, we’ve got all three colors of the Town Bag in stock, all three colors of the waxed canvas Field Bag (camo! plum!) and all four colors of the plain canvas Field Bag. (Although very few of some, so use that Notify Me button if you run into it!)
On my sewing list for quite some time has been the Hudson Pants pattern from True Bias, with the intention of sewing this ostensible sweatpants pattern in a woven fabric, as I’ve seen many people do. But Mac Housley has put me over the top on it — she tells me she’s sewn at least 6 pairs, ranging from flannel pj’s (for the whole family) to the sage green pair above, among others. I’ve mentioned Mac twice in Elsewhere lately — in the context of @meetmakersofcolor and her fantastic Love to Sew Podcast interview (please tell me you’ve listened to it!) — but today I’m here to tell you I have a Maker Crush on her, straight up. It’s not just the Hudson pants, but her energy and openness and apparent willingness to dive right into whatever tempts her. Mac stopped crocheting (hopefully not forever) after her grandmother died fifteen years ago and is eager to learn to knit, but she has taken up sewing in just the past few years and is already a powerhouse thanks to that aforementioned diving-in mentality.
In addition to her joint ventures @meetmakersofcolor and @sewalteredstyle, and the blog of the same name, her @macsmakespace account has become one of my favorites in recent months, and I particularly love her ongoing IG Stories wherein she checks in regularly about works in progress and so much else. If you’re not already following her, I’m sure you’ll find her as relentlessly inspiring as I do.
— I love this piece by my collaborator-friend Jen Hewett (above) on being a creative and a recovering perfectionist. For me, being one too, this bit about her great grandmother is the perfect tiny life lesson: She was a talented cook, but sometimes her cakes didn’t rise properly. “My mother never called those failures,” Auntie Maude said. “She’d slice that cake, pour some cream on top, and call it a ‘pudding.’ And we loved those puddings.”
One of the first knitting friends I made through this blog and Twitter, back when knitters were mostly still found on Twitter, was the dynamo known as @izznit or Iz. You may know her on Instagram for her knitting, her wit, her ink, her plants or her adorable dogs; or you may recognize her from the Porter Bin photos. (Her blog is now dormant but not forgotten, and she’s still got best blog header ever.) And yet like always with this Our Tools, Ourselves q&a, I learned some new things about her! And hope you will too.
Thanks so much for doing this, Iz!
. . .
Do you knit, crochet, weave, spin, dye, sew … ?
I’m mostly known as a knitter but I was a sewer first — my love for it is what led to my career in the garment industry (patternmaker turned designer). Once sewing became part of my job, it stopped being a hobby and knitting took over. I crochet on occasion but it’s limited to small projects like baby toys or dishcloths. I do know how to spin, even went so far as shearing my own fleece, but I don’t do it as often as I should. Weaving is on the to-learn list!
Tell us about your tool preferences and peccadilloes.
I’m all about metal interchangeable needles for speed and convenience. I hated knitting at first because of the plastic Aero needles my mom taught me with — the yarn squeaked all the way across and required so much effort to move! I settled on bamboo because it was sold at all the big box stores but during the slouchy hat era, I struggled to find fixed circulars in the length I needed. That’s when I learned about magic loop and the versatility of an interchangeable needle set. I bought a nickel-plated set from Knit Picks and still use it eleven years later — no squeaks! The yarn glides! Now when I teach people to knit I let them know other materials are an option and to not get discouraged if their work isn’t moving easily.
I don’t crochet regularly so my hooks aren’t as curated, they’re just what my Mom passed down years ago. It’s a mix of materials and very incomplete.
I also have a stash of handmade bowls to hold my flat-bottomed, center-pull yarn cakes. I don’t have to worry about setting my yarn on an unclean surface and the added weight prevents the cake from flying when I need to pull.
How do you store or organize your tools? Or do you?
I made my own pouch for my interchangeable needle set because I couldn’t find one that fit my needs (compact, not flappy, and no extra pockets or slots). Loose hooks and needles are in a variety of handmade cups and vases. I think it’s important to be able to see everything at a glance — if things are hidden they won’t be used.
How do you store or organize your works-in-progress?
I have a WIP tray that I lug around the house with projects I work on the most. The ones I work on less go in their own Field Bag and on a shelf. That way if I ever have to bring my knitting somewhere I can grab and go.
Are there any particularly prized possessions amongst your tools?
A hand-turned nostepinne given to me by my university TA. She read I was using toilet paper rolls and spoons to wind, and sent me hers as she had no use for it. Eleven years later, it’s still my favorite thing to wind with. I’ve tried other nostepinnes but they aren’t as comfortable to hold. This was also my first knitting-related act of kindness that’s made me more comfortable with the idea of giving neglected tools away where I know they’ll be loved.
Do you lend your tools?
I don’t because my tool collection is so pared down and only comprised of things I use. I’ve given books and older tools when a friend shows interest, though!
What is your favorite place to knit/sew/spin/dye/whatever?
Most of my making is done at home in the evenings after work, but my favorite place to knit is anywhere on vacation. I love that the FO carries memories of the places it’s been, and it’s a pleasant reminder when worn.
What effect do the seasons have on you?
I don’t think there is any, really. I knit less frequently overall since my last tendonitis flare up. I don’t recall being a seasonal knitter before then either.
Do you have a dark secret, guilty pleasure or odd quirk, where your fiber pursuits are concerned?
I’ll let the readers decide which category this falls under but I will never cut a knot. I will always undo it, even if it takes hours, because I’m scared of being short on a project. That includes joins where the yarn was split and I’d only be saving 2 inches. I also have a fear of my ends coming loose on an FO so I will weave far more than I have to. I used to weave tails up to 10 inches long until I frogged a project and realized the absurdity — now it’s down to 4 inches.
What are you working on right now?
The Midsummer Rose Shawl has been my main focus, but I do have WIPs of varying difficulty around, for when my mood or location requires something less intense.My mom taught me to always finish a project before starting another but I couldn’t follow that for very long.
While there are still people knitting — some of whom have started in on a next sweater — today marks the close of the official Fringe and Friends Steekalong coverage. But please do keep knitting! And I’ll keep tuning in to the #fringeandfriendssteekalong feed, where there is so much splendor to behold.
Thanks so much to everyone who participated or cheered participants along. It’s always such a joy join in with knitters stretching skills and sharing insights and making beautiful garments, and that’s never been more true than with all the steekers in this crowd. And thanks especially to Mary Jane Mucklestone for the amazing pattern and for joining in with so much great advice and cheerleading along the way!
— I’ve been limiting my IG time lately (in order to make more time for books), but there are three must-see’s for me: the #fringeandfriendssteekalong feed, of course, plus @meetmakersofcolor and @ebonyh’s Story, which has been my favorite part of each morning this month — so stunning and inspiring
— And most of all, Felicia: “I heard David Whyte speak a few months ago and he spoke of how we are practicing, in each moment, for who we want to be in the next. The fabric we create holds that intention – who were we practicing to be on that day? Were we practicing courage by trying something new? Were we practicing generosity by making for another? Were we practicing a new story about who we are by intentionally moving away from a story that no longer served us? Or were we simply trying to comfort ourselves so we could sit with our sadness or fear or insecurity? This comfort is a gift we give ourselves; a gift of time and space where we acknowledge that ignoring our pain, does not serve us. Allowing ourselves the comfort of craft – and then there being a visible reminder in our homes of us treating ourselves with grace – is so very important.” (photo above, top)
Yes, that. Please remember to treat yourselves with grace — this weekend and always.
SHOP NEWS: In addition to a fresh batch of Black, we’ve got a small batch of the Town Bag in Natural with a darker waxed natural outer panel, making the bag a little more contrasty than the usual subtle tone-on-tone effect. We’re calling it “Natural w/ waxed vanilla,” and we love it but it’s not reproducible, so it’s a self-limiting edition — only at Fringe Supply Co., and only while they last!
I’m jumping the gun on this one because I literally cannot wait until the pattern publishes on Friday — it’s Junko Okamoto’s latest flash of brilliance, the Bouquet Sweater and scarf (not sure if the latter will be a separate pattern, but I assume). We’ve talked before about my love of The Twigs, and I’m equally smitten with her floral doodle on Papa, but this one is next level. Bouquet features a large-scale flower motif that reminds me of a sort of Weiner Werkstätte way of doing a floral — graphic and abstracted. But it’s also not a standard stranded motif and not embroidered after the fact. I’m eager to see when the pattern drops, but it’s either an incredibly clever use of right-side and wrong-side floats, or a wrapping technique similar to that in L’Arbre Hat? Like I said, I can’t wait to see the pattern and find out.
She’s knitted the sample sweater in a marl and a fairly low-contrast color, downplaying the effect — then flipped the two yarns for the scarf. For a higher-contrast version, just look at this gorgeousness.