Our Tools, Ourselves: Denise Bayron

Our Tools, Ourselves: Denise Bayron interview

I first met Denise Bayron on Instagram about a year ago when she had just learned to sew and was wowing everyone with her skills. No doubt her experience in knitting and the fashion industry were factors, but it was mind-blowing how quickly she was drafting her own inventive jumpsuit, for instance. And have you seen her knitting patterns? Last year’s chic Cardizen has just been joined by a clever cross between a head kerchief and a bandana cowl, the Hatdana. (Straight into my queue!) With more in the pipeline.

On top of her immeasurable talents, Denise might actually be the friendliest person I’ve ever met. I’ve loved getting to know her better in recent months and am excited to be able to share more of her story through this q&a. To keep up with Denise, follow @bayronhandmade.

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Do you knit, crochet, weave, spin, dye, sew … ?

I knit, crochet and sew. I learned to crochet from a neighbor when I was 4 years old. I practiced frequently and enjoyed doing it immensely but lost the habit as I grew into my teens. I’ve picked it up again in recent years.

As a young woman living in New York, I worked in the fashion industry as the VP of a public relations agency for many years. The corporate hustle didn’t allow for much making.  Even worse, I absorbed the conflicting message that quality clothing is both expensive and disposable after a season. Fast fashion diminished my self-worth because of unattainable expectations.  So I quit my job to pursue more meaningful work in the personal wellness industry. Ironically, leaving the fashion industry opened me up to making clothes by hand.

A few years later, I moved from New York to Madison, Wisconsin.  I was in a new city, and I had no friends. Within days of moving, I attended a fair-trade festival. The first person I met was a woman who was a knitter and the manager of a local fair-trade organization. I asked her if I could volunteer at her company. I also asked her if she would be my friend. I’m surprised she didn’t run in the opposite direction! I worked part-time for that organization for about 5 years. I was surrounded by items that were made by artisans and farmers from around the world. I grew to appreciate the beauty of handmade things, their longevity, their intrinsic and sentimental value, and the cultural lessons that can be passed down through craft.

Through my volunteer work, I was granted a visa to work with an artisan partner in Thailand. The partner ran a cooperative business comprised of women from the northern Thai hill tribes. My assignment was to teach the women English and marketing strategies so that they could compete in a global economy. These women made magic with their hands. I had much to learn from them too! After our classes, I stayed on to watch them sew, knit and embroider beautiful things. I continued traveling through eight countries and had similar exchanges in Myanmar and Indonesia too. The time I spent learning handicrafts from experienced artisans changed my life and point of view.

When I returned to the US, I continued to develop my knitting skills. Sewing, however, was still on the back burner. This all changed when I moved to California four years ago. I found myself in the San Francisco Bay Area, which has a rich and diverse maker community. I searched for a local yarn shop and found the most charming shop — A Verb For Keeping Warm! It was within walking distance from my home. OMG, two steps away from heaven, right??!! The shop hosts a monthly maker meetup called Seam Allowance. The meetup is a sew-and-tell of sorts where participants pledge to make 25% of their wardrobe by hand. I was floored by the quality of the projects shared in the group, and I was incredibly inspired. I was determined to try my hand at sewing. I walked out of the shop with a pattern by Sonya Philip, the designer of 100 Acts of Sewing. Sonya’s clear pattern instructions and tutorial videos helped me complete my first sewing project — a pair of pants! That success gave me the courage to keep sewing and later try my hand at drafting.

Our Tools, Ourselves: Denise Bayron interview

Tell us about your tool preferences and peccadilloes.

In a dream world, I am a monogamous knitter with one set of wooden needles and only enough yarn to knit the project that I am currently working on. In the real world, I do, in fact, have only one set of interchangeable needles. However, I need more cables to hold multiple WIPs.

In a past interview I vocalized my dislike for the clicking of metal needles. Never say never, because I’ve had to eat crow after working on a recent lace project. I found myself searching online for Addi Turbo Rockets. I didn’t buy them, but my little heart wants them so badly.

How do you store or organize your tools? Or do you?

I try to keep my tools to a minimum and buy the best quality and most beautiful tools I can afford. As far as organizing, I keep my yarn stash in two baskets on my sewing table. I also have one bookshelf where I store my fabric and hand knit projects. Next to that bookshelf I keep a couple of bolts of fabric standing upright on the floor. A local friend and shop owner offered to sell me 120 yards of tencel for $100! This offer was a no-brainer, so I immediately broke my own minimalism rules and rushed to her home to pick them up. She also gave me some garment-quality cotton, linen and wool as a gift. It was a total score!

Our Tools, Ourselves: Denise Bayron interview

How do you store or organize your works-in-progress?

I live in a tiny apartment in Oakland. I don’t have a dedicated studio for my work. My bed is two feet away from my workspace. I’ve placed two long Ikea desks side-by-side to make one long surface along the wall. That’s where I cut fabric, sew, knit, work on my laptop and drink hot coffee. Multi-tasking sometimes means that there is fabric on the dining table, yarn in baskets under my favorite armchair, and scrap paper on the bed. It’s not always pretty, but stuff gets done. I have to thank my partner who is the most organized person I know. He does the cleaning and sorting while I cuss at the dropped stitches on my needles and grade my patterns.

Are there any particularly prized possessions amongst your tools?

The tools I use the most are my Lykke interchangeable needles, Gingher shears, and Merchant and Mills snips. I love the Cocoknits stitch stoppers. I also use the black Magpie stitch markers that look like big safety pins as progress keepers. This year I also invested in a new knitting bag. It is the Twig and Horn crossbody project tote. I have the Fringe Supply Co. Field Bag in a matching toffee color and the Fringe leather tool pouch. Now everything is matchy-matchy and beautiful.

Having said that, I used to keep my projects in a Ziploc bag inside of a ratty Fjallraven backpack. Although I love a pretty bag, and sharp shears are essential for cutting fabric, I want to avoid repeating the negative messages I received from the fast fashion industry. More isn’t always better.

Do you lend your tools?

Not really. Not because I’m cheap, but because it has never come up. My maker friends all have beautiful tools of their own!

What is your favorite place to knit/sew/spin/dye/whatever?

I do most of my making at home. My home is tiny but cozy. It’s clean, quiet and smells nice. My new favorite candle is Teakwood by Wax and Wool. I’ve tried knitting in cafés and in the park, but really, my home is my haven.

Our Tools, Ourselves: Denise Bayron interview

What effect do the seasons have on you?

I knit year-round. Some knitters complain about working with wool in the summer, but I live in California. We get chilly coastal winds at night which is the perfect climate for knitting. I tend to sew mostly in the spring and summer. This year I want to try my hand at sewing a swimsuit. I have my eye on the Sophie Swimsuit by Closet Case Patterns.

Do you have a dark secret, guilty pleasure or odd quirk, where your fiber pursuits are concerned?

No dark secrets. Quirks? Loads of them! I love neutral colors and work with them almost exclusively. If there is a pop of color in my stash, it is probably for a gift. I also look for yarns and fabrics that don’t shed much. I am careful to avoid lint because my hair is styled in locs. As a result, I stay away from mohair and alpaca. I realize I’m missing out because the “halo” is beautiful, but I don’t want fibers to get stuck in my hair!

What are you working on right now?

At this very moment, I am editing how-to videos for a new knitting pattern called the #hatdana. The Hatdana is unique and versatile accessory that is both practical and beautiful. It works as a bandana to hold your hair away from your face, but it is slipped on like a hat. It can also be worn as a cowl with the bandana in the front like a kerchief.  I’ve been sharing sneak peeks on Instagram every day this week in anticipation of the release. I am so grateful for the positive reception it has gotten so far.

I’ve just wrapped up testing for another pattern, and I have several other designs in the queue. My proverbial plate is full, and my heart is happy. Thank you for allowing me to share my ideas with you.

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Thank you, Denise!

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PREVIOUSLY in Our Tools, Ourselves: Izznit

Photos © Denise Bayron, used with permission

Elsewhere

I’m out of town for a bit for a family function but I’m leaving you with some nice meaty links to explore while I’m gone—

— First off, you know I’m gonna love a log cabin blanket made from leftovers of hats knitted for a bounty of friends

— Must-read interview with Whitney Hayward on the economic realities of trying to make a living as a knitting pattern designer— i.e., why knitting patterns should cost more than they do

— There is a really fantastic discussion on Jacqui Cieslak’s post about the implications of the word “handmade”

— “People who would never otherwise talk to you will engage with you about what you’re doing,” she says. “They come to see that the people who are out in the street [knitting] are very nice, and that we are openly talking about race and racism. The group provides a path into the movement that people aren’t even looking for.”

— What happens when you try to give men the obnoxious What not to wear after 50 type of advice? Backlash.

— Have you seen @thegentlemanfelter? (thx, DG)

— Or lucky lady @chakamartinique, whose husband makes all of her clothes? (via Mac)

— And totally off topic, but this is a whole ‘nother level of commitment to one’s craft

Have an amazing weekend, everyone!

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New Favorites: Leeni Hoi’s halos

New Favorites: Leeni Hoi's halos (sweater knitting patterns)

Wandering around Ravelry late last week, I ran across a new-to-me designer named Leeni Hoi and fell for her lovely halo-y sweaters knitted in fingering weight yarn held double with a strand of silk-mohair. This is one of the tricks I remember being awed by when I first took up knitting, and I have bought two or three skeins of silk-mohair over the years with a plan to try it, and yet I’ve still not done it. Which is ridiculous, because in addition to creating an incredibly soft and supple fabric — just look what it does for these three beauties — it’s also a good way to boost fingering yarn to a gauge I’m happier knitting at, while still creating a garment lighter than a worsted-weight sweater. Win/win/win.

ABOVE, TOP: Shimo Sweater has a pretty cables-and-bobbles motif that dovetails neatly into the hem and cuffs

ABOVE, BOTTOM: Vaña Sweater is a simple reverse-stockinette pullover with a few graphic lines of ribbing to set it off

BELOW: Uhuru Sweater looks like a super-basic pullover, but offers the surprise of a triangular detail at the cuffs and back of neck

New Favorites: Leeni Hoi's halos (sweater knitting patterns)

PREVIOUSLY in New Favorites: Mega wraps

Elsewhere: Sheep, avocado pink, and the unending cleverness of makers

Elsewhere: Sheep, avocado pink, and the unending cleverness of makers

I have an epic stack of links for you this round, so we better get started!

— Please read this one when you have time to sit with it: Navajo shepherds cling to centuries-old tradition in a land where it refuses to rain (thx, Katherine)

— And this: Physicists are decoding math-y secrets of knitting to make bespoke materials (thx, Martha)

— Are you doing the spring 10×10 challenge? This one is co-hosted by @selltradeslowfashion and @buyfrombipoc, hence the extra long hashtag. I’m sitting it out as usual (except the one time) but always love poring over the feed

— Seen Renée Gouin’s Women in Clothes (via @ebonyh) and Liisa Hietanen’s crochet humans? (thx, DG)

— Used Ravelry’s Road Trip Planner?

— “He has the gentle, attentive touch of someone washing a baby. Only with sharp metal blades.” (photo above right)

Ode to avocado pink (photo above left)

Immigrant Yarn Project looks amazing (thx, Carolyn)

— I’m loving all the offers of help for BIPOC trying to break into the industry, like this and this and this — if you’re aware of others, please link them in the comments!

— I’m a little obsessed with all the patchwork #wikstenhaori jackets, such as Edina’s and Arianna’s

— Amy Palmer’s amazing Captain Marvel sweater

This video of screenprinters in India adding layers of color to yardage

— This sentence: “She knows love is often a few rows short of perfection but keeps you warm anyway.”

— and this miniature style muse

If you haven’t seen all the great responses on Wednesday’s Q for You — or haven’t weighed in — don’t miss that, either.

Happy weekend, everyone!

IN SHOP NEWS: For the first time this year, I think, we’ve got all three colors of the Town Bag in stock, all three colors of the waxed canvas Field Bag (camo! plum!) and all four colors of the plain canvas Field Bag. (Although very few of some, so use that Notify Me button if you run into it!)

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PREVIOUSLY: Elsewhere

Maker Crush: Mac Housley

Maker Crush: Mac Housley

On my sewing list for quite some time has been the Hudson Pants pattern from True Bias, with the intention of sewing this ostensible sweatpants pattern in a woven fabric, as I’ve seen many people do. But Mac Housley has put me over the top on it — she tells me she’s sewn at least 6 pairs, ranging from flannel pj’s (for the whole family) to the sage green pair above, among others. I’ve mentioned Mac twice in Elsewhere lately — in the context of @meetmakersofcolor and her fantastic Love to Sew Podcast interview (please tell me you’ve listened to it!) — but today I’m here to tell you I have a Maker Crush on her, straight up. It’s not just the Hudson pants, but her energy and openness and apparent willingness to dive right into whatever tempts her. Mac stopped crocheting (hopefully not forever) after her grandmother died fifteen years ago and is eager to learn to knit, but she has taken up sewing in just the past few years and is already a powerhouse thanks to that aforementioned diving-in mentality. 

In addition to her joint ventures @meetmakersofcolor and @sewalteredstyle, and the blog of the same name, her @macsmakespace account has become one of my favorites in recent months, and I particularly love her ongoing IG Stories wherein she checks in regularly about works in progress and so much else. If you’re not already following her, I’m sure you’ll find her as relentlessly inspiring as I do.

For pattern details, see her captions on the top photo and bottom photo.

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PREVIOUSLY in Maker Crush: Llane Alexis

Photos © Mac Housley, used with permission

Elsewhere

Elsewhere: Knitting, sewing, slow fashion LINKS list

This is a short but meaty installment of Elsewhere and I hope you’ll spend some quality time with it!

— I love every single thing Mac Housley had to say on the Love to Sew Podcast about why a diverse feed is important and so much more — please take time to listen to that this weekend, if you haven’t already. And see also the Harvard document she mentions, Suggested Norms for Cross-Cultural Dialogue

— I love this piece by my collaborator-friend Jen Hewett (above) on being a creative and a recovering perfectionist. For me, being one too, this bit about her great grandmother is the perfect tiny life lesson: She was a talented cook, but sometimes her cakes didn’t rise properly. “My mother never called those failures,” Auntie Maude said. “She’d slice that cake, pour some cream on top, and call it a ‘pudding.’ And we loved those puddings.”

— And I LOVE Dana Williams-Johnson’s piece about her 164 sweaters, and lol’d at her responses to the questions she receives (did you see the one I got to borrow?)

— Also: this Log Cabin situation

This groovy top

— and peeping what people are doing with that fascinating Junko Bouquet pattern

Happy weekend, everyone. I’ve been on overload lately and am looking forward to some quiet time with my mini Sólbein. Hope to have it to show to you next week! What are you working on?

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PREVIOUSLY: Elsewhere

Photo of Jen Hewett © me for Fringe Supply Co.

Our Tools, Ourselves: Izznit

Our Tools, Ourselves: Izznit

One of the first knitting friends I made through this blog and Twitter, back when knitters were mostly still found on Twitter, was the dynamo known as @izznit or Iz. You may know her on Instagram for her knitting, her wit, her ink, her plants or her adorable dogs; or you may recognize her from the Porter Bin photos. (Her blog is now dormant but not forgotten, and she’s still got best blog header ever.) And yet like always with this Our Tools, Ourselves q&a, I learned some new things about her! And hope you will too.

Thanks so much for doing this, Iz!

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Do you knit, crochet, weave, spin, dye, sew … ?

I’m mostly known as a knitter but I was a sewer first — my love for it is what led to my career in the garment industry (patternmaker turned designer). Once sewing became part of my job, it stopped being a hobby and knitting took over. I crochet on occasion but it’s limited to small projects like baby toys or dishcloths. I do know how to spin, even went so far as shearing my own fleece, but I don’t do it as often as I should. Weaving is on the to-learn list!

Our Tools, Ourselves: Izznit

Tell us about your tool preferences and peccadilloes.

I’m all about metal interchangeable needles for speed and convenience. I hated knitting at first because of the plastic Aero needles my mom taught me with — the yarn squeaked all the way across and required so much effort to move! I settled on bamboo because it was sold at all the big box stores but during the slouchy hat era, I struggled to find fixed circulars in the length I needed. That’s when I learned about magic loop and the versatility of an interchangeable needle set. I bought a nickel-plated set from Knit Picks and still use it eleven years later — no squeaks! The yarn glides! Now when I teach people to knit I let them know other materials are an option and to not get discouraged if their work isn’t moving easily.

I don’t crochet regularly so my hooks aren’t as curated, they’re just what my Mom passed down years ago. It’s a mix of materials and very incomplete.

I also have a stash of handmade bowls to hold my flat-bottomed, center-pull yarn cakes. I don’t have to worry about setting my yarn on an unclean surface and the added weight prevents the cake from flying when I need to pull.

How do you store or organize your tools? Or do you?

I made my own pouch for my interchangeable needle set because I couldn’t find one that fit my needs (compact, not flappy, and no extra pockets or slots). Loose hooks and needles are in a variety of handmade cups and vases. I think it’s important to be able to see everything at a glance — if things are hidden they won’t be used.

Our Tools, Ourselves: Izznit

How do you store or organize your works-in-progress?

I have a WIP tray that I lug around the house with projects I work on the most. The ones I work on less go in their own Field Bag and on a shelf. That way if I ever have to bring my knitting somewhere I can grab and go.

Are there any particularly prized possessions amongst your tools?

A hand-turned nostepinne given to me by my university TA. She read I was using toilet paper rolls and spoons to wind, and sent me hers as she had no use for it. Eleven years later, it’s still my favorite thing to wind with. I’ve tried other nostepinnes but they aren’t as comfortable to hold. This was also my first knitting-related act of kindness that’s made me more comfortable with the idea of giving neglected tools away where I know they’ll be loved.

Do you lend your tools?

I don’t because my tool collection is so pared down and only comprised of things I use. I’ve given books and older tools when a friend shows interest, though!

Our Tools, Ourselves: Izznit

What is your favorite place to knit/sew/spin/dye/whatever?

Most of my making is done at home in the evenings after work, but my favorite place to knit is anywhere on vacation. I love that the FO carries memories of the places it’s been, and it’s a pleasant reminder when worn.

What effect do the seasons have on you?

I don’t think there is any, really. I knit less frequently overall since my last tendonitis flare up. I don’t recall being a seasonal knitter before then either.

Do you have a dark secret, guilty pleasure or odd quirk, where your fiber pursuits are concerned?

I’ll let the readers decide which category this falls under but I will never cut a knot. I will always undo it, even if it takes hours, because I’m scared of being short on a project. That includes joins where the yarn was split and I’d only be saving 2 inches. I also have a fear of my ends coming loose on an FO so I will weave far more than I have to. I used to weave tails up to 10 inches long until I frogged a project and realized the absurdity — now it’s down to 4 inches.

Our Tools, Ourselves: Izznit

What are you working on right now?

The Midsummer Rose Shawl has been my main focus, but I do have WIPs of varying difficulty around, for when my mood or location requires something less intense. My mom taught me to always finish a project before starting another but I couldn’t follow that for very long.

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PREVIOUSLY in Our Tools, Ourselves: Jenny Gordy (Wiksten)