In addition to my shawl-collar vest idea and the navy pullover I still haven’t quite sorted out, the other thing I’ve had in mind to possibly knit for myself this year — making alternative use of a sweater quantity of wool in my stash — is a textured wrap. I’ve still never knitted a scarf, but have always wanted to knit a big blankety wrap of one sort or another. Some contenders:
MIDDLE RIGHT: Castlemilk by Cecelia Campochiaro, sequence knitting which could be easily scaled wider
BOTTOM: Heure d’Hiver by Emilie Luis, I’d leave off the fringe and elongate the ribbing
BELOW: En Voyage by Espace Tricot, just shortened a bit
Plus there’s still Julie Hoover’s Wallace from last year’s Favorite New Favorites, which is probably in the lead. But I’m also recalling how much I loved knitting the stitch pattern of my Channel Cardigan, and thinking that could make a lovely wrap as well.
Maybe it’s because I’m wrapping up my annual spot-of-colorwork project, I don’t know, but for whatever reason, I’m finding myself soooo drawn to the idea of knitting something really simple and straightforward but also beautiful and useful. Such as …
TOP: Column by Hiromi Nagasawa is a bulky or superbulky pullover with an unusual construction method that also gives a simple sweater a different look
I’m jumping the gun on this one because I literally cannot wait until the pattern publishes on Friday — it’s Junko Okamoto’s latest flash of brilliance, the Bouquet Sweater and scarf (not sure if the latter will be a separate pattern, but I assume). We’ve talked before about my love of The Twigs, and I’m equally smitten with her floral doodle on Papa, but this one is next level. Bouquet features a large-scale flower motif that reminds me of a sort of Weiner Werkstätte way of doing a floral — graphic and abstracted. But it’s also not a standard stranded motif and not embroidered after the fact. I’m eager to see when the pattern drops, but it’s either an incredibly clever use of right-side and wrong-side floats, or a wrapping technique similar to that in L’Arbre Hat? Like I said, I can’t wait to see the pattern and find out.
She’s knitted the sample sweater in a marl and a fairly low-contrast color, downplaying the effect — then flipped the two yarns for the scarf. For a higher-contrast version, just look at this gorgeousness.
This is anecdotal, but I feel like there’s been a significant trend lately toward combining stranded knitting (which is almost always stockinette) with texture in various ways — frequently through the introduction of bobbles. I’m particularly taken with these two hat patterns that take on just a little added texture by virtue of simply purling some or all of the colorwork—
TOP: Hat with Purled XO by Arne and Carlos features a classic motif at jumbo scale with purled colorwork boosting its impact
BOTTOM: Hjarn Hat by Amber Platzer Corcoran is also bulky gauge but with more delicate, three-color motifs (click through for the more colorful samples)
Yuko Shimizu is one of many great designers I’ve learned of this past week as a result of the powerful discussion going on about diversity and the knitting community. If you’ve missed it somehow, there’s a good synopsis-with-links on Ravelry. In addition to hopefully opening eyes and minds to ways we can all do better to make the knitting community (and the world) a more inclusive place, it’s bringing a lot of wonderful and talented people into broader view.
I’m super smitten with these sweaters:
TOP: Sunburst is a fantastic little cropped colorwork sweater with full sleeves and some mohair content giving it an unusual surface texture for such a sweater
When I was putting together my 2018 Favorite New Favorites and looking back through the year’s best (in my opinion!) knitting patterns, there were several things I regretted not having gotten onto the blog yet. Chief among them, these two enticing cable hat patterns by Sari Nordlund:
TOP: Marlon Hat is gorgeous and worsted weight, which means I have countless yarn options in my stash
BOTTOM: Utu Hat is gorgeous and written for Woolfolk’s weirdly compelling bouclé yarn, Flette, which I happen to have two skeins of (because they sent them to me) and so much curiosity about that I’m seriously sitting here thinking “would I knit a hat on 2s …?”
Of all the years, this is one where I feel most dramatically like WAIT! I haven’t even knitted anything from last year’s Favorite New Favorites yet! I’ve gone back to the patterns on that list over and over this year, and several I’ve continued to go on about during 2018, and yet somehow it’s already time to look back through this year’s and pull out the ones I most fervently want to not lose track of.
It was a really good year in knitting patterns, better than I even realized. To scroll back through the year’s New Favorites (which I recommend!) is to witness a lot of ingenuity and beauty, and yet there are loads of things I saved on Ravelry that haven’t even made it onto the blog. (Yet.) Trying to narrow it to the ones I simply admired the most, I was at risk of putting about 40 or 50 patterns into this post. So I decided to limit myself to just 12 patterns for the year: the ones I’d most like to actually knit and have. Which also means this could function as a queue for the coming year — if only people would stop with the new distractions!
Simply based on how many times I’ve typed the words Carbeth Cardigan this year — and the fact that I did cast one on during my flight to Palm Springs last week — it’s clearly the pattern that bored the deepest hole into my brain this year. And then there are the ones I actually made: Grete and Hozkwoz.