I know it’s only been two days since I publicly swore off shawl knitting, but there is one looming temptation. Remember a few months ago when I kicked off that #vitalknits hashtag? The lovely Julia Billings, aka @woollenflower (who you should totally follow if you don’t already), posted the shot above of her incredible Faroese-style shawl and I haven’t stopped thinking about it. (Here it is on Ravelry.) This is my idea of The Perfect Shawl: massive and enveloping, yet light; garter stitch interrupted by a spare, geometric lace design; and the perfect amount and length of fringe. Turns out it’s from a pattern quite straightforwardly called Faroese Lace Pattern Shawl, found in an out-of-print book. Jules tells me it was one of the first books she read when she was a new knitter and that the traditionally written pattern was beyond her skills at the time. She set it aside until she was ready, a few years ago now, and she wears this shawl more than anything else she’s made. Understandably. It may be out of print, but the good news is Jules is writing her own Faroese-style pattern inspired by this beauty — so watch for more news of that soon.
By the way, this reminds me quite a bit of Handepande’s incredible shawl that I blogged about forever ago and have longed for every day since. Apparently when it comes to shawls, I have a type.
PREVIOUSLY in FO Sightings: Sumiko’s steeked Sundottir
I’m pants at taking modeled shawl photos, y’all. What is so hard about it? So here it is recumbent: grandma’s shawl for her 90th birthday, nearly six weeks late by the time it gets to Texas. It had been awhile since I knitted a shawl and I forgot how long it takes. Plus they trick you by being really quick at the beginning — filling you with false confidence — and then getting slower and sloowwer and slooowwwer. I started this a week before her birthday (obviously cutting it too close) and thought it might be a week or two late. Lesson learned: Never knit shawls!
Anyway, I feel pretty sure she’ll love it, and I hope that she does. For all my grousing, and despite the tardiness, I am very happy to have this to give to her, and hope it will warm her shoulders for many years to come. And that I can take a pic of her in it one of these days.
As previously noted, it’s Orlane’s Textured Shawl Recipe (my how-to notes here) in Shibui Staccato (70% merino, 30% silk) and Linen (100% linen) held together for all but the bind-off, which I worked in the Staccato alone. I was devoted to EZ’s sewn bind-off when I was a shawl knitter (right up through this, my last one) and the bind-off on this was the most pleasant part. You know how stressful it can be, wondering if your yards-long strand of yarn will hold up to being dragged back and forth through every one of those hundreds of stitches — how it can strain and stick and twist and try to knot up on you? The Staccato was a dream for this. And the finished, blocked fabric — the merino/silk and linen blend — is divine. Drapey and light and wonderful. Well worth the fussiness of working those two together.
Row counts and other factoids on Ravelry.
It’s always a pleasure to see the Plucky Knitter sisters and crew at Stitches events, and last weekend I also got to see a lot of the samples from their new pattern collection, Spring Forward. Somehow their crazy-plucky color palette makes me wish I were a color person, and yet you know I’d likely knit all of these things, my favorites of the bunch, in a nice heather grey—
TOP LEFT: Beach Walk by Jill Zielinski, a simple shrug with a nice lace motif up the back
TOP RIGHT: Lake Effect by Amy Miller, a sweet granny-chic lace cardigan
BOTTOM LEFT: Screen Door, an allover textured-lace shawl, which I would like in this green, actually
BOTTOM RIGHT: Tide Chart by Amy Miller (pictured on Amy with her Porch Swing shawl), a good ultra-basic, top-down pullover (if you’re not ready to improvise your own)
PREVIOUSLY in New Favorites: The hats of BT Men Vol 2
My grandmother’s 90th birthday is now one week from tomorrow and I am still debating about her shawl. The yarn selection seems much more critical to me than the pattern and I’ve been agonizing over it. The 100% silk I had thought I would use turned out to not float my boat when I swatched with it. What I really want for her climate is a wool-linen or wool-silk-linen blend, and what I think I am officially settled on is this Shibui Staccato (70% merino, 30% silk) and Linen held together and knitted at a slightly loose gauge, on 5mm needles. I bought the yarn online without having seen this color, Velvet (best name ever), in person. Turns out the color looks a little more raisin-y on the linen base than on the wool-silk blend, but held together it works — it gives the purple a little more depth.
I’m not sure it will be a joy to knit with — it’s a massive departure from the wonderfully sticky, rustic Hole & Sons I’ve spent the past month with — and I cannot knit it on my beloved Dreamz circs because of the abominable color-coding. Dark purple yarn on dark pink needles? Not only does it offend my delicate sensibilities, I can’t see my stitches at all, which is a little bit of a problem when holding linen filament double with something. So I’ll have to knit on bamboo, which is fine!
Between that splitty-fiddliness and its being a pain to put back on the needles if any ripping were required, I’m also giving up on the idea of doing anything lace with it — not when I’m already under the gun here. But along the way I also saw Ashley knitting a dark purple Orlane for her mother and let out the biggest sigh of envy. I told myself it would be silly to knit Orlane’s Textured Shawl for a third time when there are so many great shawls out there, but if that’s my favorite shawl of all time, is it not exactly what I should knit for her?
UPDATE: I cast on late last night and this is definitely the right decision—
It’s funny how I’m always looking for shawl patterns that aren’t granny-looking, and now I’m looking for a shawl pattern for my granny. She’s turning 90 in exactly one month and — please don’t tell her! — I’m planning to knit her a shawl. The thing is, I’ve been planning it for at least a month and haven’t cast on a stitch yet because I’m hung up on what it should be. I feel like it should be lace — or at least lace-edged or something — but I don’t want to give her anything that requires really precise blocking every time it’s soaked. Ditto the yarn selection: Not only am I hesitant about giving her anything hand-wash-only, she lives in Texas! So wool is out of the question. Size-wise, she’s not a very large person, plus there’s that whole Texas aspect (this is really something to toss on in over-air-conditioned spaces), plus I need to be able to complete it in a month. So basically I’m looking for a simple, small-scale, decorative-edged shawl. For the yarn, I think I’ve settled on the dark purple Shibui Heichi in my stash (her entire wardrobe is shades of purple), which is 100% silk. Still hand-wash, but not wool. Right? So I’ve narrowed it down to the smaller Lola (top), a scaled-down Palmyre (middle) and the lace-less but still really pretty Marin (bottom), which I’ve wanted to knit for a long time. I haven’t knitted with 100% silk before and really don’t know what that will look or behave like, so it seems like my best bet is to swatch all three and see.
Still have never managed to pick the right shawl for my mom. :(
Jocelyn Tunney has an obsession with garter-stitch triangles and chevrons, and I have an obsession with these designs. Love this blanket. Love this scarf. And this one. But I think it’s all been leading up to this. When I walked into the Manos del Uruguay booth at the trade show last month and saw her Mariscos wrap, above, draped on one of the dress forms, it stopped me in my tracks. This thing is huge and gorgeous, and looks like it would be both interesting and soothing to knit. Jocelyn kindly sent me the pattern as soon as it was ready, knowing how much I love it, so now all I want to do is sit around picturing it in every possible color combination. Because as soon as I figure it out, I am casting on — it’ll make a perfect project to pick and put down amongst more mentally taxing things for a few months.
UNRELATED: the Etta+Billie skin balms are back. Let there be dancing in the streets!
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Nobody does “simple” like Carrie Bostick Hoge. And nobody has quite the same finesse in taking existing patterns and changing them up — flipping the construction, changing the gauge, etc. — to make you look at them anew. She’s just released her Madder Anthology 2: Simple Pleasures collection and, as with others before it, it’s a combination of new patterns and reimagined favorites. Eleven sweaters and six accessories, all of them in spare but gorgeous combinations of garter stitch, ribbing and stockinette. And like a good caprese salad, where those three ingredients better each be perfection, she’s pretty much nailed it. My favorites:
top: Lila Winter, a bulky, top-down version of her popular Lila
bottom left: Liv, making me rethink my position on open-front cardigans
bottom right: Lainey Cowl, in chunky garter rib
top left: Charlotte Light Accessories, a finer version of her Charlotte set
top right: Lori Shawl, lovely asymmetric (I presume) garter triangle (named for the model’s mother?)
bottom: Lucia Hoodie, making me rethink my position on hoodies
PREVIOUSLY in New Favorites: Mosaic scarves