Somehow I trailed off in talking about the most inspiring knits from the Fall 2015 shows without ever posting the Best of the Best! You have to be in full Fall fantasy mode to appreciate it right now, but Rosetta Getty was killin’ me with this collection. The cactus hothouse setting might have had some influence on me, I admit, but the sweaters are just incredible — from the shrunken to the enormous to the layers of enormous. There’s a definite rich hippie vibe to the whole thing — there aren’t many designers who could make me want to wear a knee-grazing granny-square coat — and the recurring long cardigan with scarf-tie front is a thing I should hate. But over that incredible shirtdress? Gimme.
It’s not at all uncommon for me to run across a blog that’s gone dormant — or is updated just once or twice a year — and feel sad that there isn’t more. It is uncommon, though, for me to be so moved by one that I would advise you to go swim around in what’s there and glean what you will from it, however much or little (past or future) there may be. But such is the case with Voices of Industry. Adele Stafford is someone I’m slightly familiar with: She is a weaver living in Oakland, and so we have mutual acquaintances. I’ve followed her off and on on Instagram, and am a huge admirer of her mission, the cloth she weaves and the garments it becomes. But it wasn’t until I clicked on a cryptic link from Heidi Swanson that I found myself at Adele’s blog, at which point my brain — which had been making me crazy bouncing off the sides off my skull all day — went silent and listened. Adele writes remarkably, with a voice similar to her weaving in some way — observant and poetic and intelligent without being precious. She also writes rarely. There are only two pages of posts going back a year and a half, but they deserve to be read slowly and savored. It’s the Friday of a long weekend today (in the US anyway), so perhaps you can pour yourself a nice drink, tune out the world for an hour or so, and read what she has to say. And yes, hope there will be more.
SPEAKING OF GOOD READS [UPDATED!] Issue 2 of KnitWit Magazine has arrived and is available now in the shop. — and it is gorgeous! I also got a few more copies of Issue 1, in case you regret missing it. So you can go ahead and order either or both, and if you haven’t already grabbed the latest Pom Pom or Amirisu, you might want to add those too.
Have a fantastically laid-back weekend, please! I’m actually going to observe a holiday for a change and take Monday off for making (and of course it’s a mail holiday too), but all will resume on Tuesday morning! See you then—
Every year around this time, I have the thought that perhaps it would be fun to knit a little market bag, and I go have a look at all the ones I’ve bookmarked over the past few years. Every year, I decide these two by Pam Allen are the cream of the crop: the Dejeuner Bag up top — my very favorite — and the Rue Mouffetard. This year I actually have a skein of linen in want of a purpose (left over from grandma’s shawl) but the bags are so pretty in that natural Sparrow I can’t imagine doing anything else.
PREVIOUSLY in New Favorites: Paloma
I know it’s only been two days since I publicly swore off shawl knitting, but there is one looming temptation. Remember a few months ago when I kicked off that #vitalknits hashtag? The lovely Julia Billings, aka @woollenflower (who you should totally follow if you don’t already), posted the shot above of her incredible Faroese-style shawl and I haven’t stopped thinking about it. (Here it is on Ravelry.) This is my idea of The Perfect Shawl: massive and enveloping, yet light; garter stitch interrupted by a spare, geometric lace design; and the perfect amount and length of fringe. Turns out it’s from a pattern quite straightforwardly called Faroese Lace Pattern Shawl, found in an out-of-print book. Jules tells me it was one of the first books she read when she was a new knitter and that the traditionally written pattern was beyond her skills at the time. She set it aside until she was ready, a few years ago now, and she wears this shawl more than anything else she’s made. Understandably. It may be out of print, but the good news is Jules is writing her own Faroese-style pattern inspired by this beauty — so watch for more news of that soon.
By the way, this reminds me quite a bit of Handepande’s incredible shawl that I blogged about forever ago and have longed for every day since. Apparently when it comes to shawls, I have a type.
PREVIOUSLY in FO Sightings: Sumiko’s steeked Sundottir
I’m pants at taking modeled shawl photos, y’all. What is so hard about it? So here it is recumbent: grandma’s shawl for her 90th birthday, nearly six weeks late by the time it gets to Texas. It had been awhile since I knitted a shawl and I forgot how long it takes. Plus they trick you by being really quick at the beginning — filling you with false confidence — and then getting slower and sloowwer and slooowwwer. I started this a week before her birthday (obviously cutting it too close) and thought it might be a week or two late. Lesson learned: Never knit shawls!
Anyway, I feel pretty sure she’ll love it, and I hope that she does. For all my grousing, and despite the tardiness, I am very happy to have this to give to her, and hope it will warm her shoulders for many years to come. And that I can take a pic of her in it one of these days.
As previously noted, it’s Orlane’s Textured Shawl Recipe (my how-to notes here) in Shibui Staccato (70% merino, 30% silk) and Linen (100% linen) held together for all but the bind-off, which I worked in the Staccato alone. I was devoted to EZ’s sewn bind-off when I was a shawl knitter (right up through this, my last one) and the bind-off on this was the most pleasant part. You know how stressful it can be, wondering if your yards-long strand of yarn will hold up to being dragged back and forth through every one of those hundreds of stitches — how it can strain and stick and twist and try to knot up on you? The Staccato was a dream for this. And the finished, blocked fabric — the merino/silk and linen blend — is divine. Drapey and light and wonderful. Well worth the fussiness of working those two together.
Row counts and other factoids on Ravelry.
Whether it’s the fact that it’s been so long (almost two months!) since I had a sweater on my needles, or even just talking about October, or the fact that it is FREEZING in our new space, I find myself longing to cast on a really big, really cozy sweater. This is an old favorite — on my to-knit list since the day it released last spring — but it’s top of mind at the moment: Thea Colman’s Paloma cardigan, pictured above. Chunky, beautifully textured, long and snuggly, I’m craving it intensely right now. I even love it in that pale pink!
PREVIOUSLY in New Favorites: Tanks!
It always amazes me how many ways people dream up to knit a little tank sweater, but these super simple versions are the ones I want right now:
TOP: Aster by Dawn Catanzaro is designed for Quince’s awesome aran-weight linen Kestrel (which I made my striped tank from last year), while …
BOTTOM: Farrah by Wool and the Gang is designed for their Shiny Happy Cotton
Perfect summer staples, knitted up in no time!
PREVIOUSLY in New Favorites: from Plucky’s Spring Forward collection